First at Klais from Bath, next a Rieger from CCO. Comments anyone?
Two continental organs in a row on CE
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I infinitely prefer the Klais to that awful box o' whistles at CCO. You'd think after 35 years they'd admit they'd given it a good chance and start to plan a replacement the choir and cathedral deserve. It was particuilarly foul in this week's b/c during the Hylton Stewart (I only new his C major canticles previously and can't claim to know thses C# minor now with that horrible accomp.) On another thread, I've even dared to suggest that rather likes dogs and their owners, the boys are starting to sound like the Rieger ... (I'll be in trouble for that!)
For Heaven's sake, who would make their only Swell reeds a 16' Cor Anglais and 8' Voix Humaine, to say nothing of the weak, f*rty Basson as the only Pedal reed?
(just saying...!). OK, I give in, the case is pretty and better than its over-inflated predecessor, but P-lease!
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Originally posted by Finzi4ever View PostIt was particuilarly foul in this week's b/c during the Hylton Stewart (I only new his C major canticles previously and can't claim to know thses C# minor now with that horrible accomp.)
For a year I had sporadic lessons from Dudley Holroyd on the old Hill, Norman and Beard at Bath - and what a very fine instrument it was, even if it didn't all speak at the same time. I have no experience of the Klais that replaced it, but, as I understand it, Klais had firm instructions about the sort of instrument required and, because of this and because of the reuse of the HNB pipework, the organ doesn't sound quite like a typical Klais. I have always found Klais instruments on the continent well up to accompanying English cathedral repertoire (apart from a certain paucity of string tone and a lack of English soft solo reeds).
With the exception of Clifton Cathedral, which is small, inoffensive and has some lovely flutes and chorus-work, I have never much liked the sound of Rieger instruments. In particular, their reeds always seems to sound raucous, more so than those of other German firms I have experienced. For me, modern German reeds are an issue. They may be OK when used on their home ground, but they are simply too assertive and strident to suit English cathedral choral music. With care you can "get away with it", but you'll always end up envisaging a better solution. Well, I used to anyway.
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Originally posted by Finzi4ever View PostOK, I give in, the case is pretty and better than its over-inflated predecessor, but P-lease!
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Originally posted by Finzi4ever View PostI meant the old case, VH, with its middle-aged spread, expanding well out on either side of its intended case, not the sound of the old H&H. I remember well the Double Open woods lying in the nave at Tewkesbury for their re-use in the Grove Organ by Bishop's.
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Mr Stoat
Originally posted by Vox Humana View Post........With the exception of Clifton Cathedral, which is small, inoffensive and has some lovely flutes and chorus-work.
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Mr Stoat
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