Originally posted by Hautboiste
View Post
Festival of 9 Lessons & Carols, King's College Cambridge 2013
Collapse
X
-
Originally posted by DracoM View PostCarols were originally 'round dances', sometimes seasonal eg May time, harvest time, as well as Christmas and New Year etc, such that many of them are celebratory and nearly always community-based, intended for audience to become involved in eg singing burdens / choruses / refrains. Hence a number of carols have decidedly up-tempo, foot tapping rhythms."The sound is the handwriting of the conductor" - Bernard Haitink
Comment
-
-
Hautboiste
I grew up singing While shepherds watched to Jackson. If I play the organ on Christmas Eve I send the congregation home to it. It has a bit more oomph than Winchester Old.
Comment
-
Originally posted by Hautboiste View PostI grew up singing While shepherds watched to Jackson. If I play the organ on Christmas Eve I send the congregation home to it. It has a bit more oomph than Winchester Old."The sound is the handwriting of the conductor" - Bernard Haitink
Comment
-
-
Originally posted by Petrushka View PostAnd I prefer the Walford Davies tune (Wengen) to O Little Town of Bethlehem over the more familiar RVW setting (Forest Green).
Comment
-
-
Originally posted by mangerton View PostThat was the tune that I grew up singing to that hymn. It was in the Scottish RCH, (Revised Church Hymnary) still on my bookshelf. In the RCH the tune is named Christmas Carol. I presume it's the same as Wengen, as I don't suppose Walford Davies would have written two."The sound is the handwriting of the conductor" - Bernard Haitink
Comment
-
-
Originally posted by Anna View PostTo be honest, just as an ordinary punter, Nine Lessons & Carols, Christmas Eve, Radio 4, to me is the start of Christmas. When 'Once in Royal David's City' rings out then I know Christmas has started and I'm usually in the kitchen cooking the Boxing Day ham or boiling up some giblets or prepping some veg, windows getting steamy, delicious smells ... I'm not bothered what's sung so much as the Readings. To me, the whole thing is a tradition not to be missed.
Indeed listening to King's is all part of the Xmas thing....much more than the tinsel in Tescos. I can't deny that as a musical family we comment about the singing and the content rather as some would discuss fine wines (Ah, '89 was a good year) but we wouldn't be without it.
Comment
-
-
Originally posted by mangerton View PostI presume it's the same as Wengen, as I don't suppose Walford Davies would have written two.
Comment
-
-
Originally posted by Vox Humana View PostOh yes he did. "Christmas Carol" is also in Songs of Praise 79 and Common Praise 63. For Wengen see Ancient and Modern 642 or Ancient and Modern Revised 65. http://mander-organs-forum.invisionz...o-little-town/
Comment
-
-
VodkaDilc
I wonder what Sir David W thinks of Cleobury leaving out his organum-type accompaniment to the Herod verse of Unto Us each year. I'd be a bit peeved - to my mind it's the most exciting part.
Comment
-
In terms of sheer singing in the choir, it seemed to us a vintage year - great blend, no 'sore thumbs' among the boys or gentlemen
One or two instances of prosaic direction and dodgy descants by Mr Cleobury (and some wayward congregational singing) aside, a good old listen, and better than in previous years. (The absence of Cornelius's corny old 'Three Kings' an added bonus!)
It's Christmas now"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
Comment
-
-
Originally posted by VodkaDilc View PostI wonder what Sir David W thinks of Cleobury leaving out his organum-type accompaniment to the Herod verse of Unto Us each year. I'd be a bit peeved - to my mind it's the most exciting part.
Shame too that the Messiaen was cut short, even although we weren't expecting it.
Comment
-
-
I'd second your remark, Caliban '... a vintage year'. Excellent singing, lively direction, and fine organ playing from Doug Tang (recently organ scholar here at Hereford Cathedral). Was it my imagination, or memory playing up, or was the congregational participation more to the fore this year? - the microphone placements seemed to accentuate their lagging behind the organ. The inclusion of music by Tavener and Rodney Bennett was most apposite, and it was good to hear Simon Preston's witty arrangement of the Three Ships again; I can't remember when I last heard Malcolm Williamson's version of 'Ding, dong!', but it was well worth an (occasional!) outing, IMO.
Happy Christmas,
Roger
Comment
-
-
Simon Biazeck
Originally posted by Caliban View Post(The absence of Cornelius's corny old 'Three Kings' an added bonus!)
Comment
Comment