Originally posted by Jeptha
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Which choirs don't we hear from?
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Simon
Originally posted by MrGongGong View Post
Glad they enjoyed it: no doubt it's the taking part that's important rather than the choral result.
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Magnificat
Originally posted by ardcarp View PostI'd just like to add my thanks (along with those of ff) to Alex Woodrow for giving us such a detailed account of the musical establishment at Bradford. It certainly sounds as if things are on a fast upward curve! Perhaps for the organ nerds amongst us, either you, Alex or one of your colleagues could give us an account of the current state of the instrument?
Not surprised to see the enthusiasm and high standards of Alex Woodrow at Bradford. He was a highly respected organ scholar at St Albans.
VCC
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Alex Woodrow
Originally posted by ardcarp View PostI'd just like to add my thanks (along with those of ff) to Alex Woodrow for giving us such a detailed account of the musical establishment at Bradford. It certainly sounds as if things are on a fast upward curve! Perhaps for the organ nerds amongst us, either you, Alex or one of your colleagues could give us an account of the current state of the instrument?
At the same time, we are taking the opportunity to look at improving projection into the nave. We are still debating whether it might be possible to re-arrange the placing of divisions within the chamber, but have not ruled this out (the Chancel division is currently very forward and bright, and in fact louder than the Great Plenum, which is back to front, especially when playing transcriptions of Vivaldi concerti and the like...) Additional ranks such as the intended 16' Double Open to the Great (the organ has no bottom-of-chorus 16' manual rank), and a 32' pedal reed, will add to the organ's ability to sound well across the length of the building. At the same time, a Vox Humana, Cromorne and some true undulant strings on the Swell will complement what is already a fine instrument. We might look slightly to take the edge off one or two of the mixture ranks (HN&B at their most neoclassical) and to tone down the Swell Reeds (the Cornopean in particular is louder than the Great Tromba for instance).
As of yet, we are at the early stages, having just launched the Appeal, and we are in dialogue with a number of potential contractors. Visiting players and recitalists always seem to enjoy the instrument, so this is an exciting project for us, and has won the support of many a local resident, former chorister, recital audience members and so forth.
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