Several times recently I have heard BBC announcers stress the second syllable of Purcell's name.
Flogging the pronunciation some more, his name is mentioned several times in the prefatory poems to the two volumes of Purcell's songs published by Playford in 1721 under the title Orpheus Britannicus. In addition to the two already-highlighted examples from Dryden's ode "Mark how the Lark and Linnet Sing" --
So ceas'd the rival Crew when Purcell came,
They Sung no more, or only Sung his Fame.
Now live secure, and linger out your Days,
The Gods are pleas'd alone with Purcell's Layes,
-- we also have some others:
(1) In a poem by one "R. G.":
And thou my Muse (how e'er the Criticks blame)
Pleas'd with his Worth, and faithful to his Fame,
Art Music while y'are hallowing Purcell's Name.
(2) In a poem by one "P. K.":
All this to Purcell, but there's something due
To Purcell's and Apollo's Friend, to you,
[...]
Their feeble malice but your Fame secures,
And Publishes both Purcell's Works and Tours.
(3) In a poem by "H. Hall. Organist of Hereford Cathedral" (not sure which of the two Henry Halls this would be, but I assume the one who was organist at the time of Purcell's death):
Purcell! the pride and Wonder of the Age,
The Glory of the Temple, and the Stage.
[...]
Who e're like Purcell could our Passions move!
Whoever sang so feelingly of Love!
[...]
Though equal care our Master might bestow,
Yet only Purcell e're shall equal Blow:
(4) In another poem by Hall:
Tho' Purcell living had our utmost Praise,
And dead, almost does Adoration raise,
[...]
By this, my Friend, you'll get immortal Fame,
When still with Purcell we read Playford's Name.
I think all this speaks for itself. The first line of example (3) above is perhaps inconclusive, but all of the other citations place the stress on "Pur". I think the onus is on those who would stress the second syllable to come up with (reasonably) contemporary evidence that refutes these examples.
Flogging the pronunciation some more, his name is mentioned several times in the prefatory poems to the two volumes of Purcell's songs published by Playford in 1721 under the title Orpheus Britannicus. In addition to the two already-highlighted examples from Dryden's ode "Mark how the Lark and Linnet Sing" --
So ceas'd the rival Crew when Purcell came,
They Sung no more, or only Sung his Fame.
Now live secure, and linger out your Days,
The Gods are pleas'd alone with Purcell's Layes,
-- we also have some others:
(1) In a poem by one "R. G.":
And thou my Muse (how e'er the Criticks blame)
Pleas'd with his Worth, and faithful to his Fame,
Art Music while y'are hallowing Purcell's Name.
(2) In a poem by one "P. K.":
All this to Purcell, but there's something due
To Purcell's and Apollo's Friend, to you,
[...]
Their feeble malice but your Fame secures,
And Publishes both Purcell's Works and Tours.
(3) In a poem by "H. Hall. Organist of Hereford Cathedral" (not sure which of the two Henry Halls this would be, but I assume the one who was organist at the time of Purcell's death):
Purcell! the pride and Wonder of the Age,
The Glory of the Temple, and the Stage.
[...]
Who e're like Purcell could our Passions move!
Whoever sang so feelingly of Love!
[...]
Though equal care our Master might bestow,
Yet only Purcell e're shall equal Blow:
(4) In another poem by Hall:
Tho' Purcell living had our utmost Praise,
And dead, almost does Adoration raise,
[...]
By this, my Friend, you'll get immortal Fame,
When still with Purcell we read Playford's Name.
I think all this speaks for itself. The first line of example (3) above is perhaps inconclusive, but all of the other citations place the stress on "Pur". I think the onus is on those who would stress the second syllable to come up with (reasonably) contemporary evidence that refutes these examples.
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