Leafing through an RSCM Collection of photocopiable resources looking for ideas for next term, I came across a setting of words from Ps 103 (Common Worship) by Philip Moore, that was in an accompanied plainsong with unaccompanied fauxbourdon style, but based on a modern tone rather than any of i-viii. It revived something well buried in my memory, occasionally hearing similar through-composed Psalm settings from Canterbury Cathedral in broadcasts during the 1980s, and if my memory serves me right, by Alan Ridout, who would have been a sort of 'composer in residence', or at least who wrote a lot for Allan Wicks and the choir. A setting of Psalm 8 particularly seems to stick in my mind.
(I just ponder if the settings were in fact written earlier than the 1980s and were contemporary with Philip Moore's time at Canterbury, given his published setting bears similar hallmarks)
Does anyone else remember these through-composed 'modern-plainsong' psalm settings (if that's what they were)? I'd be interested to know if any were published- my church are looking at ways of exploring and focusing upon the psalms musically in the morning eucharist next year using a variety of musical styles- so not just Anglican chant, but plainsong, responsorial, spoken with background accompaniment, versified hymn etc, and this looks another interesting avenue to explore.
(I just ponder if the settings were in fact written earlier than the 1980s and were contemporary with Philip Moore's time at Canterbury, given his published setting bears similar hallmarks)
Does anyone else remember these through-composed 'modern-plainsong' psalm settings (if that's what they were)? I'd be interested to know if any were published- my church are looking at ways of exploring and focusing upon the psalms musically in the morning eucharist next year using a variety of musical styles- so not just Anglican chant, but plainsong, responsorial, spoken with background accompaniment, versified hymn etc, and this looks another interesting avenue to explore.
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