I was very surprised to hear this tune in a non-Catholic context.
CE St Edmundsbury Cathedral 26th September 2012
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Mr Stoat
Originally posted by ardcarp View PostTunes, surely, cross the Catholic/Protestant divide quite readily? As a postgrad student, I taught part-time at a Convent school and part of my duties included playing for some of the Chapel services, always under the watchful eye of a moustachio-ed sister/chaperone. Having been reared as a prot, this was quite a new experience, but I can clearly recall the first hymn that was thrust at me, Mary Immaculate, Star of the Morning. It was sung to the same tune as Brightest and Best...the lovely Bach-harmonised Lutheran chorale. And, boy, could those girls sing!
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Catholics have adopted a lot of Protestant tunes in recent years, although of course many Anglican tunes especially are adaptations of original plainsong melodies, but there's not been so much traffic the other way I'd say - probably because modern Catholic hymns are mostly so horrible.
This one was first published in Henri Frederick Hemy's Easy Hymn Tunes for Catholic Schools (1851), (it says here).
I'd never heard it to another text, and I was interested in the Stella coincidence
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Irritatingly I was relying on iPlayer to hear this one. I heard up to the second lesson, but on picking up the thread later was denied, being told that I needed to upgrade the technology, which my ageing Mac couldn't support. What I did manage to hear made this all the more frustrating, because up to that point the service was being really well put across - I especially enjoyed the introit, and the unmannered delivery of the Psalm - as an earlier writer said, there was a real sense of listening in to the daily offering.
It is greatly to St Edmundsbury's credit that they can broadcast so confidently so early in the term - congratulations to all involved - I wish i could have heard it all.
à propos the side theme of coldness in church, having been Arthur Wills assistant at Ely I can vouch for the intensity of the cold during the depths of winter. The Gurney stoves (or Victorias, being squat, black and with a little crown on top!) were worse than useless - the coke fumes frequently filled the building with acrid smells and smoke. In those days I drove a 1949 MG TD, and I wore more layers to play the organ than to drive the car! Not for nothing was a pathway around the east end of the Cathedral known as 'pneumonia alley'!
RJ
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Originally posted by Roger Judd View Postà propos the side theme of coldness in church, having been Arthur Wills assistant at Ely I can vouch for the intensity of the cold during the depths of winter. The Gurney stoves (or Victorias, being squat, black and with a little crown on top!) were worse than useless - the coke fumes frequently filled the building with acrid smells and smoke. In those days I drove a 1949 MG TD, and I wore more layers to play the organ than to drive the car! Not for nothing was a pathway around the east end of the Cathedral known as 'pneumonia alley'!
RJ
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Yes, the acoustics of the Lady Chapel are truly wonderful. When I worked there we sang services in the Lady Chapel only once or twice, which was a great sadness. A totally different approach was required from singing in the main body of the Cathedral if any sense of the music was to be achieved. The main building's acoustic was also interesting because, although a huge space, music never got muddied up - clarity was preserved right to the west door - perhaps the Nave's wooden ceiling helped with that.
Incidentally, John Rutter's very earliest carol discs were recorded in the Lady Chapel - though hopefully not in the winter!
RJ
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