CE Edington Priory August 22nd 2012

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  • DracoM
    Host
    • Mar 2007
    • 12817

    CE Edington Priory August 22nd 2012

    CE Edington Priory
    Edington Festival of Music within the Liturgy



    Order of Service:


    Introit: Beneath the Cross (first broadcast) (Ed Rex)
    Responses: Martin
    Psalm: 38 (Plainsong)
    First Lesson: Lamentations 3: 1-24
    Magnificat: Third Service (Philip Moore)
    Nunc Dimittis: (Matthew Martin)
    Second Lesson: Romans 5
    Anthems: Memento Mei, Domine; Crucem tuam adoramus, Domine (Pawel Lukaszewski)
    Final Hymn: It is a thing most wonderful (Herongate)


    Organ Voluntary: Aus tiefer Not schrei ich zu dir BWV 686 (Bach)


    Peter Stevens (Organist)
    Jeremy Summerly, Matthew Martin, Benjamin Nicholas (Choir Directors)
  • ardcarp
    Late member
    • Nov 2010
    • 11102

    #2
    Having just Googled the Edington Festival site, I have been unable to find out the constitution of the choirs involved. In recent years there has been a choir with adult sopranos, a choir with boys (maybe girls this year?) and a plainsong choir. Does anyone have more info?

    Comment

    • ardcarp
      Late member
      • Nov 2010
      • 11102

      #3
      PS I did find this however:



      Edington (despite its 'Priory' appellation) does not have a generous acoustic, especially when full, and the existing organ is little better than the average village church one.

      I guess Jeremy Summerly was conducting the 'adult' choir. He is good, isn't he?

      Comment

      • mw963
        Full Member
        • Feb 2012
        • 538

        #4
        Originally posted by ardcarp View Post
        PS

        I guess Jeremy Summerly was conducting the 'adult' choir. He is good, isn't he?
        I had the honour of joining the BBC on the same course as Mr Summerly. He was an extraordinarily nice bloke, extraordinarily talented, and extraordinarily amusing. He was kind even to fourth division amateur organists such as myself. He made a good drinking companion, although we lost touch decades ago!


        I always turn off the subsequent programme that follows CE, and today I had three reasons within the first minute of In Tune. The wretched "presenter" remarked that she had a "brilliant" pianist and a guitar "sensation" on the programme, and then said she'd start the "show" with Shostakovich. Three reasons why she'd be better off on Classic FM wouldn't she....

        It actually makes me very angry - because I remember what Radio 3 could and should be like - what would dear Cormac say?

        Comment

        • Vile Consort
          Full Member
          • Nov 2010
          • 696

          #5
          Originally posted by mw963 View Post
          what would dear Cormac say?
          Mass!

          Comment

          • mw963
            Full Member
            • Feb 2012
            • 538

            #6
            Originally posted by Vile Consort View Post
            Mass!
            Boom boom!

            Actually I think it would have been a Requiem Mass for his beloved network.....

            Comment

            • Pegasus

              #7
              This would not normally a service which attracted much of my attention, however ... I listened, and was glad that I did.

              I reckon the Third Service to be amongst the most attractive and instantly accessible of Philip Moore's considerable output. And, as for Matthew Martin's responses; well, much as I generally distrust wacky intonations, I thought these were first-rate. Sophisticated and restrained, prayerful imagination.

              Comment

              • mw963
                Full Member
                • Feb 2012
                • 538

                #8
                Originally posted by Pegasus View Post
                T And, as for Matthew Martin's responses; well, much as I generally distrust wacky intonations, I thought these were first-rate. Sophisticated and restrained, prayerful imagination.
                Of course I can't find it now (thought it was last year's Edington but apparently not); but some time last year on a broadcast there was a lovely (recent, sad) chant by a "Martin" and I'm wondering if now his identity has been narrowed down.

                Comment

                • ardcarp
                  Late member
                  • Nov 2010
                  • 11102

                  #9
                  I think your Martin is probably George:



                  ...who was a generally good egg in Victorian maybe Edwardian times; and yes one stumbles across his chants in various psalters.

                  Returning to Matthew Martin, I too enjoyed his responses and anthem. Good stuff. I'm still hoping someone who was there will post in and tell us a bit more about who conducted what and whom.

                  Comment

                  • DracoM
                    Host
                    • Mar 2007
                    • 12817

                    #10
                    Just caught up.
                    Yes, fine service all round. Quiet, no fuss, very high standard of committed singing in all three ensembles, with distinctive timbres to all three - women / girls, boys / men and schola of men.

                    Both the Ed Rex Introit and the Martin Responses I hope we hear again. Nicely shaped and well sung.
                    What caught my ear were the Pawel Lukaszewski motets - both really worth exploring, and once more I do hope we hear them sung again, possibly in a bigger acoustic.

                    Many thanks to all.

                    Comment

                    • orbis factor

                      #11
                      Originally posted by mw963 View Post
                      Of course I can't find it now (thought it was last year's Edington but apparently not); but some time last year on a broadcast there was a lovely (recent, sad) chant by a "Martin" and I'm wondering if now his identity has been narrowed down.
                      Sad chant (2010) - Matthew not George

                      Comment

                      • orbis factor

                        #12
                        Originally posted by ardcarp View Post
                        I think your Martin is probably George:



                        ...who was a generally good egg in Victorian maybe Edwardian times; and yes one stumbles across his chants in various psalters.

                        Returning to Matthew Martin, I too enjoyed his responses and anthem. Good stuff. I'm still hoping someone who was there will post in and tell us a bit more about who conducted what and whom.
                        Consort (mixed voices) - Summerly
                        Nave Choir (boys/men) - Martin
                        Schola (p'song) - Nicholas

                        Comment

                        • mw963
                          Full Member
                          • Feb 2012
                          • 538

                          #13
                          Thanks ardcarp and orbis factor. I'd have made it rather clearer had I written "VERY recent". I suppose George Martin is recent compared to Purcell, but this was "modern" and I think OF is on the money, there were similarities between the Responses we heard and that chant. I think I transcribed it at the time but no idea what I did with it...... Seem to remember it was beautifully desolate.....

                          Comment

                          • Vile Consort
                            Full Member
                            • Nov 2010
                            • 696

                            #14
                            Very pleasing performance of the six-part Aus Tiefer Not (with two parts played on the pedals!) from Klavierübung III as the postlude. Possibly our last opportunity to hear this organ before the new Harrison is installed.

                            Comment

                            • orbis factor

                              #15
                              Originally posted by Vile Consort View Post
                              Very pleasing performance of the six-part Aus Tiefer Not (with two parts played on the pedals!) from Klavierübung III as the postlude. Possibly our last opportunity to hear this organ before the new Harrison is installed.
                              Next year will be the final festival with the present instrument.

                              Comment

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