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  • ferneyhoughgeliebte
    Gone fishin'
    • Sep 2011
    • 30163

    #61
    Originally posted by ahinton View Post
    though I still don't quite see why he should be thought of as the "English" anything, particularly given the Welsh origins of his surname!...
    Fair point. But wouldn't a "Welsh Bruch" be a "bach"?
    [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

    Comment

    • Pabmusic
      Full Member
      • May 2011
      • 5537

      #62
      Originally posted by ahinton View Post
      I think that this is fair enough, if a little generous to Parry, though I still don't quite see why he should be thought of as the "English" anything, particularly given the Welsh origins of his surname!...
      Parry certainly thought of himself as English - there's lots of evidence of that - just as Vaughan Williams did.

      As far as 'the English Brahms' goes, Parry would probably have been shocked and embarrassed that anyone would have thought so. He was nonetheless a fine composer, whose music is often more distinctive than that of some of his contemporaries (Stanford, Cowen and Mackenzie, for instance, all of whom wrote fine music).

      Comment

      • ahinton
        Full Member
        • Nov 2010
        • 16122

        #63
        Originally posted by ferneyhoughgeliebte View Post
        Fair point. But wouldn't a "Welsh Bruch" be a "bach"?
        Indeed so (or should I say "indeed to goodness"!) - et touché, but Parry certainly wasn't one of them, look you...

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        • Eine Alpensinfonie
          Host
          • Nov 2010
          • 20570

          #64
          Originally posted by ahinton View Post
          Indeed so (or should I say "indeed to goodness"!) - et touché, but Parry certainly wasn't one of them, look you...
          But Joseph Parry was...

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          • ahinton
            Full Member
            • Nov 2010
            • 16122

            #65
            Originally posted by Eine Alpensinfonie View Post
            But Joseph Parry was...
            I know, but I'd assumed that we were discussing Sir Hubert Hastings rather than him in the present context...

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            • Eine Alpensinfonie
              Host
              • Nov 2010
              • 20570

              #66
              Originally posted by ahinton View Post
              I know, but I'd assumed that we were discussing Sir Hubert Hastings rather than him in the present context...
              Of course. I was just showing off.

              Comment

              • BBMmk2
                Late Member
                • Nov 2010
                • 20908

                #67
                Originally posted by ahinton View Post
                I think that this is fair enough, if a little generous to Parry, though I still don't quite see why he should be thought of as the "English" anything, particularly given the Welsh origins of his surname!...
                Welsh/British?
                Don’t cry for me
                I go where music was born

                J S Bach 1685-1750

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                • ahinton
                  Full Member
                  • Nov 2010
                  • 16122

                  #68
                  Originally posted by Brassbandmaestro View Post
                  Welsh/British?
                  Not the point, if I may say so - the point instead being that there's no more earthly reason why Parry should be thought of as the "English" or any other kind of "Brahms" than there is for Pettersson to be thought of as the "Swedish Mahler".

                  Comment

                  • Pabmusic
                    Full Member
                    • May 2011
                    • 5537

                    #69
                    Ahinton's absolutely right. Parry was Parry, who happened to be English*. He was neither Brahms nor an imitation of Brahms.

                    * He was descended from Joan Parry, the midwife who delivered Anne Boleyn of the Princess Elizabeth. Another Parry ancestor, whose name I forget, was Queen Elizabeth's chaplain, who gave her the last rites. The most directly Welsh connexion I know was that Lady Maud was daughter of the Earl of Pembroke.
                    Last edited by Pabmusic; 11-06-12, 12:39.

                    Comment

                    • Finzi4ever
                      Full Member
                      • Nov 2010
                      • 588

                      #70
                      Originally posted by Roger Judd View Post
                      Having dug out my copy of the 1902 service (as you do!) I can confirm that Vivat Regina Alexandra! Vivat Rex Edwardus! was sung/shouted by the scholars of Westminster School. Alexandra got one set of Vivats, Edward got two. The 1902 version of the intro to the anthem is the same length as the revised 1911 version, but musically totally different - the earlier one has a rather sombre air to it rather than festive or ceremonial.
                      RJ
                      Thanks for that definitive declaration! How does the underlay work then with the scansion of those syllables, especially of Eduardus? & is EdWardus, really spelled with the W not a U?

                      Comment

                      • Roger Judd
                        Full Member
                        • Apr 2012
                        • 232

                        #71
                        Difficult to do without the music, but here goes. Vi-vat Re-gi-na A-lex-an-dra! starts on the 1st beat c,q, sqrest, sq,q,q,q,q,c,c. Vi-vat Rex Ed-ward-us! again starting on the 1st beat, all crotchets, and, yes, he is spelt with a W. Between the vivats for the Queen and the King the trumpet fanfare, which for her is in G, goes up a tone, to A, for him - thereafter all is as usual. Hope that makes sense.
                        RJ

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                        • ardcarp
                          Late member
                          • Nov 2010
                          • 11102

                          #72
                          It would be good if ff could arrange some music-writing facility so we could post thumbnail sketches in m/s. OTOH.....

                          Comment

                          • Roger Judd
                            Full Member
                            • Apr 2012
                            • 232

                            #73
                            Just one more aside on the 1902 Coronation. In the service book rubric is this rather choice note; 'At the end of the Creed one of the Bishops ... begins the Sermon, which is to be short, and suitable to the great occasion.'
                            RJ

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                            • MrGongGong
                              Full Member
                              • Nov 2010
                              • 18357

                              #74
                              Originally posted by ardcarp View Post
                              It would be good if ff could arrange some music-writing facility so we could post thumbnail sketches in m/s. OTOH.....
                              seems to work for me ?



                              or even



                              and





                              [ Ed: Bit doubtful about copyright position on sheet music. I've replaced the [IMG] code by [URL] for the moment.

                              ff ]
                              Last edited by french frank; 11-06-12, 23:29. Reason: Copyright query

                              Comment

                              • DracoM
                                Host
                                • Mar 2007
                                • 12962

                                #75
                                Love to know how many copywright laws you are /and now we are breaking?
                                Kronos Quartet might sue on 'Black Angels' material?

                                Blimey.

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