Originally posted by Cantor
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King's Choir on BBC2/BBC HD on Holy Saturday, 17.05
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My boxes are positively disintegrating under the sheer weight of ticks. Ed Reardon
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Originally posted by ardcarp View PostPerhaps someone will tell us exactly how these programmes are recorded and produced.
If you are a singer, you can usually tell when a choir is miming. You know how much physical effort is required to, for example, sing a big Handel chorus. That's very difficult to fake, so if you're not actually doing but miming, it probably won't look like you're doing it.
On the King's broadcast, the choir starts off singing When I survey the wondrous cross with not a microphone in sight. They then process thirty yards down to the stalls and the sound doesn't change one little bit. Go figure, as they say.My boxes are positively disintegrating under the sheer weight of ticks. Ed Reardon
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Cantor
Originally posted by Miles Coverdale View PostNo one seems to have considered the fact that TV programmes like this are not recorded live. In other words, sound and pictures are not recorded at the same time. So, if it doesn't look like the choir is reacting to what Stephen Cleobury is doing, it's probably because they're miming to playback for the third time. Do you really think it's possible to achieve a perfect take of the sound, with a number of changes of camera angle, all in one go?
However, this, in a way, reinforces my points. If the sound is recorded first, then surely that should be spot on, regardless of what SC is doing? I felt that on several occasions it wasn't.
And yes, I can also appreciate that after the 12th take of singing a hymn and then sitting down it gets boring, but surely that's no reason to get lazy. How many times does the (broadcast) director need to film them sitting down? If what was shown was the best that the choir can do, then I am rather shocked.
Even taking into consideration that it was a pre-recoreded TV broadcast, which is not the same as a normal service or live radio broadcast, I still found some aspects of the choir poor, especially if the sound was done first.
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Originally posted by Wolsey View PostThere is an omission in the details above which means that Stephen Cleobury's background was not "completely orthodox". The link (http://youtu.be/8iV5xIukjfk) which I mentioned in another thread leads to a lengthy interview of him, and 47 minutes and 45 seconds into it, he talks about the 3-4 years he spent (after his Cambridge student years) as Organist at St Matthew's, Northampton where he ran the voluntary church choir which included local children - some from poor backgrounds - whom he had to recruit. He was also Director of Music at Northampton Grammar School where he enjoyed teaching the older year groups, but admits he found the [KS3] class teaching a "challenge". He also directed the amateur Northampton Bach Choir. He mentions in the interview that he appreciates the experience of these years of working at the 'coal face' and of "getting his knees brown".
I thought this was a spoof to start with ?
It's not exactly "Unorthodox" is it ?
I mean what about the 2 years he spent touring as a hammond organist in a freakshow ? or the excursions into Siberian Death metal ? Or even the collaborations with Dr Dre ?
Down in da hood at Northampton Grammar innit
he even had some children from "poor backgrounds" in his choir and he even had to "recruit" them ........ that would mean "TALKING TO THEM"
give that man a carrot
I know he is a great musician and whether he flaps his wings like an albatross or a gannet makes no difference at all IMV
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Originally posted by Cantor View PostHowever, this, in a way, reinforces my points. If the sound is recorded first, then surely that should be spot on, regardless of what SC is doing? I felt that on several occasions it wasn't.
Originally posted by Cantor View PostAnd yes, I can also appreciate that after the 12th take of singing a hymn and then sitting down it gets boring, but surely that's no reason to get lazy. How many times does the (broadcast) director need to film them sitting down? If what was shown was the best that the choir can do, then I am rather shocked.My boxes are positively disintegrating under the sheer weight of ticks. Ed Reardon
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Originally posted by Miles Coverdale View PostOh, for heaven's sake. May I suggest that there are more important things to be 'rather shocked' about than whether a choir - yes, even King's - stands up or sits down in perfect unison. I doubt whether the picture director could care less about the sitting down - s/he'll use a take in which they sit down. Far more important is getting just the right close up on the stained glass window (or whatever). Time is money, and they're not going to waste either getting multiple takes of the choir sitting down just to please people like you.
Some people (and I guess i'm not the only one with this experience?) seem to spend more time rehearsing standing up and sitting down than the actual music !
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Cantor
Originally posted by Miles Coverdale View PostIn my experience, you get one take at the sound. Providing it doesn't fall apart, they'll use that, becasue they're far more interested in the pictures. So, unless the choir is perfect in every take (and which choir is?), there'll be imperfections.
Originally posted by Miles Coverdale View PostOh, for heaven's sake. May I suggest that there are more important things to be 'rather shocked' about than whether a choir - yes, even King's - stands up or sits down in perfect unison. I doubt whether the picture director could care less about the sitting down - s/he'll use a take in which they sit down. Far more important is getting just the right close up on the stained glass window (or whatever). Time is money, and they're not going to waste either getting multiple takes of the choir sitting down just to please people like you.
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In their defence, in any one chorister's / choral scholar's life time in the choir, KCC must be the most recorded, the most televised, thus the most bored and bruised by such events as MC relates than almost any boy/girl-led choir in UK.
The number of sessions they have to do just for the variety of Christmas packages alone is daunting, and keeping choir members interested, up for it and delivering their best is a triumph of will over inclination. If the BBC and / or others now start insisting that they do the same packages for Easter, their lives are hardly going to be worth living. A tiny side issue is that many members of that choir also have hugely important exams at sundry seasons as well.
In some ways it is lucky that they are not a cathedral choir because they would have to do everything that they do do PLUS the whole gamut of regular services eg Christmas, but also eg Holy Week / Easter etc.
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King's College Choir certainly used to do Holy Week and Easter services a few years ago. My godson was christened at an Easter Sunday Eucharist there where they performed the Frank Martin Mass.
The load is slightly lightened by the fact that the 'Carols from King's' TV broadcasts are not recorded every year, but are sometimes repeats of the previous year's.
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Yes, IIRC they do sing Easter Sunday a.m. and p.m., but many cathedral choirs ALSO sing long Good Friday services and midnight services on Holy Saturday as well as Eucharist / CE on the Easter Sunday, plus other services midweek. And, of course, while the rest of the choral scholars' mates have either gone down after term, or in the case of the boys in the Choir School, friends have already gone home - true for any choir school-based choir, of course.
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Originally posted by mopsus View PostI've been to Good Friday services at King's too and I think they used to do Maundy Thursday.
Always in the machine in our family during the relevant period (and many other times too)
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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