I can get a reasonable, if weak, D (but a seventh higher than wanted), so I'm out of the running.
Plumbing the depths
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Simon Biazeck
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I don't know where they get the idea that the low B flat in Rachmaninov Vespers is the lowest note ever written. This piece has a low A.
"To Thee we Sing" Op.27 No.6. Pavel ChesnokovSt. Petersburg Chamber Choir"Тебе поем" Op.27 №6. П.Г. ЧесноковСанкт-Петербургский камерный хор
I'm not sure how successful the search for someone who can genuinely sing a low E (and make an even remotely pleasant noise while doing it) will be. Even the fantastic Russian bass in that video (the now sadly late Vladimir Pasjukov) might struggle to get down that far.
On the other hand, it could all just be a publicity-generating exercise ...My boxes are positively disintegrating under the sheer weight of ticks. Ed Reardon
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Originally posted by Miles Coverdale View Post
I'm not sure how successful the search for someone who can genuinely sing a low E (and make an even remotely pleasant noise while doing it) will be...On the other hand, it could all just be a publicity-generating exercise ...
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Originally posted by Miles Coverdale View PostOn the other hand, it could all just be a publicity-generating exercise ...
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Originally posted by Pabmusic View PostI have to admit that my first thought (when I realised which composer it is ) was: Will this be some kind of reality TV search, probably with Andrew Lloyd Webber in it, and the viewers voting for who can sing the lowest note?
If you live in a - what? culture? - where those deep basses are part of what you know, you compose music for them, I'd have thought. The concept of giving a part the lowest ever note, and then launching a search for someone who can sing it, doesn't seem to be musically inspired somehow. I'm an architect: I want to design the highest building in the world. Why?It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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It's the "list" culture, isn't it? Every month the cover of BBC Music Magazine screeches on about "The greatest" conductors, pianists, recordings, orchestras, concert halls, impressarios, violinists, interval snacks etc.
If you're a composer of modest abilities, writing in a style that relies heavily on features over a hundred years old, then your only recourse is to go down the "lowest/highest note", "longest/shortest piece ever written for solo kazoo", "youngest/oldest/fattest soloist" path. Where Music History books fail to mention you, there's always the Guiness Book of Records.Last edited by ferneyhoughgeliebte; 03-02-12, 15:50. Reason: Changed "you're" to "your" (and set myself extra homework!)[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Simon
Originally posted by ferneyhoughgeliebte View Post
If you're a composer of modest abilities, writing in a style that relies heavily on features over a hundred years old, then you're only recourse is to go down the "lowest/highest note", "longest/shortest piece ever written for solo kazoo", "youngest/oldest/fattest soloist" path. Where Music History books fail to mention you, there's always the Guiness Book of Records.
Spot on, FHG - I couldn't agree more. Publicity-seeking gimmicks of little musical value, irrespective of the "style" that you are supposed to be writing in.
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Off topic, sort of, but we are really lucky to have a couple of bassi profundi in our neighbourhood. Both ex-lay clarks and both pushing 70, they have the most remarkable bottom notes...not just feeble f***s, but real, loud or soft as required, beautifully produced notes. They are much in demand for Rach, Tavener and much else. And usually when they're in the group the director will allow a few unofficial octave doublings on final chords. Lovely!
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Simon
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Originally posted by Simon View PostCat got your fingers, FHG?
I shall cross swords with you when I feel less like I might pull something unpleasant.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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