Surprisingly - or perhaps not - no new thread on today's The Choir.
Well... staying positive, here goes. I thought the Bach Collegium Japan reputation safely confirmed by what was played on today's programme viz. wonderfully assured, immaculate performances under Masaki Suzuki. Some incidental snippets of more general interest too: 'over 200 Bach choirs in Tokyo alone' (did I hear that aright??)... Kobé, the BC home city, presumably keeps pace unless BC success and pre-eminence dampens local enthusiasm. Great fulness of tone and width in choirs evident throughout selected performances, exactly (as Suzuki himself said he sought) 'dot(ting) the i's and cross(ing) the t's'.
Other performances from Japanese choirs were strikingly effective and bore out this kind of musical ambition - and without damage to the interpretative side - impeccable attention to detail. The womens's choir - Sayaka Ladies Consort - offering a contemporary piece was a case in point, mind-boggling precision in pitch and rhythmic momentum. Where these are a major emphasis in a Bach piece, I'd say on this evidence the BC will always show to advantage.
Well... staying positive, here goes. I thought the Bach Collegium Japan reputation safely confirmed by what was played on today's programme viz. wonderfully assured, immaculate performances under Masaki Suzuki. Some incidental snippets of more general interest too: 'over 200 Bach choirs in Tokyo alone' (did I hear that aright??)... Kobé, the BC home city, presumably keeps pace unless BC success and pre-eminence dampens local enthusiasm. Great fulness of tone and width in choirs evident throughout selected performances, exactly (as Suzuki himself said he sought) 'dot(ting) the i's and cross(ing) the t's'.
Other performances from Japanese choirs were strikingly effective and bore out this kind of musical ambition - and without damage to the interpretative side - impeccable attention to detail. The womens's choir - Sayaka Ladies Consort - offering a contemporary piece was a case in point, mind-boggling precision in pitch and rhythmic momentum. Where these are a major emphasis in a Bach piece, I'd say on this evidence the BC will always show to advantage.
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