I say, chaps...........so much heat rather than light, and the poor blighters haven't even sung yet!
CE Westminster Abbey 12th October 2011
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May I divert you a little with Brassbandmaestro's undoubtedly authentic clain to Edward the Confessor as a forebear? This is certainly impressive, but let's do a little maths here. Let us assume (conservatively) that E the C had had two children by 1050. About 38 generations have passed between then and Brassbandmaestro's living relatives. If we assume (again conservatively) that each generation produced two children, then E the C will have spawned 2 to the power of 38 descendants. That is an awful lot...a bit like the 'doubling the grains of rice on the chess-board' problem. I haven't done the calculation, but the number is probably higher than the population of the UK! We need to set a statistical geneticist to work, but suffice it to say probably quite a lot of us are related to E the C.
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Originally posted by Magnificat View Postpole_2_pole
Do you mean to tell me that out of all our cathedral choirs of boys and men there was not one capable of broadcasting during September. If so that is disgraceful. Frankly, I would question whether any DoM approached to broadcast in September and who turned the chance down is up to his job. If any DoM hasn't got half a dozen boys capable of holding the top line at any one time he/she is a waste of space.
VCC
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Difference between 'capable of' and 'keen to'? My guess is that many could, but whether many would choose to....?
September return has to be a tricky one for DoMs with boy-led choirs. You may plan for wonderful things, nay you have to for worship / service lists etc, but those first few sessions with the 'new' front line have to be done with fingers crossed, I would have thought.
As I have said elsethread, I know one very prominent foundation this last September where the DoM had distressingly to tell three very senior boys on the spot they could no longer sing in the choir. Changes the entire balance of the treble line, and it takes time for the others to know where the leadership is going to come from, and indeed for those new leaders to realise the huge responsibility they now carry. First month not easy. Now, of course you can fall on your feet and find leaders prontissimo and the whole treble line perks up and gives it their best. Of course, in a well-run / resourced foundation, a treble line is not going founder and mumble into silence, but I will still maintain that that first month is a testing time for all until things shake down.
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Magnificat
Originally posted by Gabriel Jackson View PostDo you actually know of any all-male choirs that were offered a September broadcast but turned it down because they weren't up to it?!
I am unlikely to know whether any were or not am I, but I think it highly likely that DoMs make it clear which dates they do not want and that it is more than possible that some have declined a September broadcast because their boys are not up to it for whatever reasons, otherwise why have we not had one this year?
We always used to have broadcasts from cathedral choirs of boys and men in September what has changed? All the problems mentioned above have always existed.
VCC
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Originally posted by Magnificat View PostGabriel,
I am unlikely to know whether any were or not am I
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Originally posted by Magnificat View PostWe always used to have broadcasts from cathedral choirs of boys and men in September what has changed? All the problems mentioned above have always existed. VCC
---- 2006: The Tewkesbury Schola Cantorum in Tenbury: their choir school had just closed, yet the choir sang only a fortnight after their reconstitution
---- 2007: Hereford sang Leighton's Coll Mag, and the Abbey gave us Tippett's Sancti Johannis (no chicken there!)
---- 2008: Vespers from the Oratory, and CE from Blackburn
---- 2009: Chelmsford (if this was indeed an all-male choir)
---- 2010: Worcester (on the 15th, barely a week into term), and Southwark
If DoMs are indeed avoiding broadcast exposure in September, it is a phenomenon first seen this year - there is certainly no trend. Is it not more likely that the absence of an all-male CE in Sept this year is due to the decision to fit in the 9/11 broadcast from USA, as well as the usual RSCM service from Germany and the SCF recording? There are, after all, only four Wednesdays in September. I share your disappointment of course, but I do not see it as cause to despair of DoMs' courage or boys' proficiency: it's just happenstance. My own correspondents report on wonderful start-of-term services in Southwell, Norwich, Winchester, and elsewhere. I'm sure such foundations were simply not invited to make broadcasts rather than turned them down. Any displeasure should be aimed at the BBC for not searching out the choirs that can perform, rather than at the DoMs and choirs that always find a way to inspire. But even the Beeb can't add to the Wednesdays available for broadcasts.
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Magnificat
I did originally say 'If' any DoM had turned down a chance to broadcast I thought it disgraceful and I still think that it is disgraceful that with only two weeks to go to half term we are going to hear our first CE from a choir of boys and men - whatever the reason.
VCC
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Introit and Martin responses sung unaccompanied, and showed admirably how balanced and competent an ensemble this is. The Bruckner I thought was particularly fine. Psalms sung at a rattling good rate and the balance between organ and choir very good indeed – plenty of light and shade, good diction, altogether a brisk and auspicious start. Trebles in good and confident form, and the antiphonal work first rate.
The Leighton canticles were thrilling: rhythmic drive was infectious and Robert Quinney was a very fine and inventive accompanist. The engineers deserve a medal for how that was balanced in that huge acoustic.
I have a huge problem with Elgar, so, I leave thoughts on that to those savvy and better informed. All that jolly shouting not my cup of tea. Choir delivered it with considerable professional polish and the whole service was beautifully brisked along by James O’Donnell – no wallowing, no sentimentality, just acute musical judgement.
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Simon Biazeck
The Mendelssohn transcription was brilliantly played - utterly thrilling! And that top drawer Leighton never fails to delight!
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