Choral Evening Prayer Wed, 14th Sept 2011

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  • DracoM
    Host
    • Mar 2007
    • 13009

    Choral Evening Prayer Wed, 14th Sept 2011

    Choral Evening Prayer

    Feast of the Exaltation of the Holy Cross
    Neresheim Abbey, Southern Germany
    Sung by the Royal Academy of Music Chamber Choir with the Royal Academy of Music Baroque String Ensemble


    Order of Service:



    Prelude:Sinfonia settima (Johann Rosenmüller )
    Introit: Adoramus te Jesu Christe (Jacob Handl)
    Initium: Deus in adjutorium (Giovanni Gastoldi)
    Psalms: Dixit Dominus, Laudate pueri (Anon 17th cent)
    Reading:1 Corinthians 1: 18-25
    Responsorium: O Crux ave (Richard Dering)
    Homily:The Revd Fr Gregor Hammes OSB
    Office Hymn: Vexilla Regis (Monteverdi)
    Magnificat on the eighth tone (Johann Kaspar Kerll)
    Prayers and Lord's Prayer (Robert Stone)
    Anthem: Laudate Dominum (Monteverdi)
    Chorale: Zieh an die Macht, du Arm des Herr


    Organ Postlude: Toccata I (Georg Muffat)


    Celebrant: The Very Revd Prior Fr Albert Knebel OSB


    Organists: Richard Brasier, Peter Holder
    Director of Music: Patrick Russill




    PLEASE NOTE CE STARTS AT 3.30 p.m. FROM NOW ON.



    Ungrateful of me to think this a concert in all but name?
  • jean
    Late member
    • Nov 2010
    • 7100

    #2
    If a homily and some congregational singing doesn't make it count as a service, I don't know what does.

    Comment

    • ardcarp
      Late member
      • Nov 2010
      • 11102

      #3
      The concept of a plainsong Magnificat with the organ taking alternate verses (ie only half the text being sung) strikes one as an odd practice. It was in fact quite widespread, and there are examples of 'organ masses' where the only bits of text sung are the priest's incipits. Ah well, it avoided having to pay the choir.....

      Comment

      • Vile Consort
        Full Member
        • Nov 2010
        • 696

        #4
        http://www.youtube.com/watch?v=4Jaz_...&feature=share
        Originally posted by ardcarp View Post
        The concept of a plainsong Magnificat with the organ taking alternate verses (ie only half the text being sung) strikes one as an odd practice. It was in fact quite widespread, and there are examples of 'organ masses' where the only bits of text sung are the priest's incipits. Ah well, it avoided having to pay the choir.....
        So widespread as to be commonplace, in fact. Hence all those organ magnificats with the sections named after alternate verses of the canticle. I've got a shelf-full of them from both Catholic France and Lutheran Germany.

        The practice has by no means fallen into desuetude!

        Tournemire (died 1939) got on the wrong side of his clergy by improvising rather long alternatim verses, in consequence of which the Magnificat sometimes lasted 45 minutes - with everyone present (the organist excepted) standing, of course.

        Here is a recording of it being done (rather splendidly) at Notre Dame de Paris quite recently.

        Comment

        • ardcarp
          Late member
          • Nov 2010
          • 11102

          #5
          Here is a recording of it being done (rather splendidly) at Notre Dame de Paris quite recently.
          Thanks for that clip! I'll bet Tournemie's extempore versets sounded a bit different though. M. Lefebre sticks to a rather 18th cent musical language. As you say, the practice in the Catholic church is not questioned....and evryone knows what the missing text is, whether in Latin or the vernacular. It does not chime well with the protestant imperative of making The Word clear, however.

          Comment

          • DracoM
            Host
            • Mar 2007
            • 13009

            #6
            There was a delicate and almost filigree sense of these organ 'interventions' which I thought worked rather well in purely performance terms. It also made for a sense of intimacy in what was actually a pretty large acoustic - well caught by the engineers, btw.

            The singing was of a genuine chamber group - one [two?] rather prominent vibrato sop apart - but good dark bass sounds and excellent discipline and balance. I very much liked the tempi of the plainchant too. Monteverdi felt nicely exuberant against the necessarily sober palette of much of the rest of the service, but that was all to the good. It was a real surprise to hear how big the congregation was when it came to the final hymn because there had been not a cheep from them at all up to then.

            Comment

            • Simon Biazeck

              #7
              I am reliably informed that there were about 400 people in the congregation!

              Comment

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