Disservice to Byrd Masses
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And, having had a quick trawl through the schedules, this would appear to be in effect the only acknowledgement by R3 of Tuesday's 400th anniversary of Byrd's birth, apart from CotW. Couldn't they have broken out of the "nothing earlier than 1850" rut the evening concerts seem to have got stuck in, for just one night?
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Originally posted by oddoneout View PostAnd, having had a quick trawl through the schedules, this would appear to be in effect the only acknowledgement by R3 of Tuesday's 400th anniversary of Byrd's birth, apart from CotW. Couldn't they have broken out of the "nothing earlier than 1850" rut the evening concerts seem to have got stuck in, for just one night?"The sound is the handwriting of the conductor" - Bernard Haitink
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Originally posted by Petrushka View PostForgive the correction, but I've seen the same mistake on the Forum already: July 4 is actually the 400th anniversary of Byrd's death not his birth, the date of which is unknown.
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Originally posted by oddoneout View PostApologies - reading too quickly and not checking. Doesn't make that much difference in terms of R3 attention though - surely it's worth a bit of celebration in the form of actual performance in an evening concert?
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Having had the misfortune to hear the advert for the Byrd Listening Service episode several times yesterday and today has simply reinforced my reaction that the question "How did Byrd come to compose three mass settings when celebrating mass was banned?" is pretty pointless as phrased, particularly with something concerning faith. The ban didn't completely stop people celebrating Mass so why would it stop a composer writing masses, even if there was no certainty of them being used? Yes it was risky, but faith is something people have always taken risks for.
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