I enjoyed the Bach motets.
Tenebrae ... Bach to MacMillan
Collapse
X
-
Originally posted by DracoM View Post.......and Macmillan is not even in the same universe.
Comment
-
-
Originally posted by RichardB View PostBut the problem is that he is in the same universe. If JMcM's music were as profound and original a response to its own time and place as Bach's, the two could reflect meaningfully on each other, but it isn't.
More to the point, it does seem strange to assume that a staunch 18th century Lutheran might have any reflective ground with a militant 21st century Roman Catholic. It's hardly the same religion. In the event, I found the Macmillan absorbing and beautiful, if occasionally self-righteous; and I was grateful to simply listen to a video concert without intrusive chat from Petroc, Katie or one of the other talking heads which normally gets between us and music on BBC TV.
Comment
-
-
Originally posted by RichardB View PostIf JMcM's music were as profound and original a response to its own time and place as Bach's, the two could reflect meaningfully on each other, but it isn't.
Comment
-
-
Originally posted by vinteuil View Post.
... I find MacMillan shallow and derivative. Worse, he is boring
.
His Strathclyde Motets are just the thing to challenge a good, committed church choir that’s up for it. Then there’s music written for professionals, the likes of Tenebrae and the Sixteen. A performance of Christus Vincit at Trinity College, Cambridge still resonates with me and can be found on the choir’s website. Maybe his music sounds best when part of a service rather than in a concert situation.
Comment
-
-
Originally posted by jonfan View PostI’m amazed you have come to this strong stance. MacMillan attempts, and in my view often succeeds, in expressing his Christian faith through the music he writes which is as chorally original as anyone else is writing today IMHO.
Comment
-
Comment