CE Chapel of Selwyn College, Cambridge [L] Wed, 18th Jan 2023

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  • DracoM
    Host
    • Mar 2007
    • 13009

    CE Chapel of Selwyn College, Cambridge [L] Wed, 18th Jan 2023

    CE Chapel of Selwyn College, Cambridge [L] Wed, 18th Jan 2023


    Order of Service:

    Introit: O gracious light (Austin Echols)
    Responses: Sarah MacDonald
    Psalms 93, 94 (Slater, MacPherson)
    First Lesson: 1 Kings 19: 9b -18
    Canticles: Evening Service in B flat (Howard Helvey)
    Second Lesson: Lesson: Mark 9: 2-13
    Anthem: Brightest and best (Sarah Rimkus)

    Voluntary: Missa di Gloria (Gloria) (Leighton)

    Adam Field (Organ Scholar)

    Sarah MacDonald (Director of Music)
  • jonfan
    Full Member
    • Dec 2010
    • 1464

    #2
    Three different tunes to Brightest and best in 8 days. Is this some sort of record?

    Comment

    • ardcarp
      Late member
      • Nov 2010
      • 11102

      #3
      I like it best to the chorale tune Liebster Immanuel in Songs of Praise. In RC churches the same tune is often used for 'Mary Immaculate, Star of the Morning'.

      One of the old A&M tunes (can't remember its name) was surely one of the worst hymn-tunes ever, especially the third line.

      Comment

      • mopsus
        Full Member
        • Nov 2010
        • 850

        #4
        I recall singing it to Liebster Immanuel in my College chapel once and it was not popular, I think because people claimed the minor key was dreary. Or maybe they didn't like the diminished 4th in the last line. (I had no such problems with it myself.)

        I think the A&M tune you dislike would be Bede, which was the standard tune it was sung to at Bath Abbey until recently. Congregations would indeed have fun trying to sing the third line, which contains two leaps of a seventh and another of an octave. It's adapted by John Goss from Handel's Athalia.

        (But for utter unsingability, nothing comes close to Kilvaree, a tune in the same metre but set to different words, which appeared in the 3rd edition (only) of the Church Hymnary. The only explanation that I can think of for it was that the composer was trying to see just how much he could put past the editors.)
        Last edited by mopsus; 16-01-23, 00:02.

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        • jonfan
          Full Member
          • Dec 2010
          • 1464

          #5
          Liebster Immanuel has great magisterial portent about it but Bach’s adventurous harmony unsettles a congregation. Joseph Thrupp’s tune is the most popular and quite serviceable, though RVW placed it in the Chamber of Horrors! My favourite is SS Wesley’s tune with its minor key section for Cold on his cradle, though again more suited for a choir to enjoy.

          Comment

          • DracoM
            Host
            • Mar 2007
            • 13009

            #6
            Reminder: today @ 4 p.m.

            Comment

            • Roger Judd
              Full Member
              • Apr 2012
              • 237

              #7
              I have a very soft spot for another fine tune to these words by my one-time mentor, Alwyn Surplice. 'Wessex' appears in the New English Hymnal (1986). It has a good sweep to the melody and attractive harmonies, IMHO of course.
              RJ

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              • Alison
                Full Member
                • Nov 2010
                • 6493

                #8
                That was a fine Voluntary. Enjoyed this LIVE service very much.

                It did feel live!

                Comment

                • ardcarp
                  Late member
                  • Nov 2010
                  • 11102

                  #9
                  ....yes, and weren't the readings well delivered.

                  Good to have a live one...though not next week. I guess the Beeb have saved a bob or two by recording Selwyn for the nest Sunday Worship while they had all their kit there.

                  Comment

                  • jonfan
                    Full Member
                    • Dec 2010
                    • 1464

                    #10
                    Lovely expressive singing with a gentle vibrato on the top line. In the Introit all the lines were beautifully clear. There was effective use of a wide dynamic range, especially in the psalms. A concentrated devotion permeated the whole. I too thought the lesson readers were superb, especially the Old Testament, so much so that I wanted to break into Mendelssohn!
                    The NRSV translation sound of sheer silence seems totally inadequate to express the inexpressible, KJV is preferable with a still small voice

                    Comment

                    • Keraulophone
                      Full Member
                      • Nov 2010
                      • 1996

                      #11
                      Originally posted by jonfan View Post

                      The NRSV translation sound of sheer silence seems totally inadequate to express the inexpressible, KJV is preferable with a still small voice
                      Hear, hear!

                      At NRSV'd Truro we miss many other gems of the KJV, e.g. 'For now we see in a mirror, dimly' instead of the implaccable 'For now we see through a glass, darkly'.
                      .

                      Comment

                      • Alison
                        Full Member
                        • Nov 2010
                        • 6493

                        #12
                        Is the Missa de Gloria a work with which anyone is familiar?

                        I’m on the lookout for a recording now.

                        Comment

                        • Roger Judd
                          Full Member
                          • Apr 2012
                          • 237

                          #13
                          There are two excellent pieces on YouTube about the Leighton Missa de Gloria from St Thomas, 5th Avenue New York. In one the Rector talks to Jeremy Filsell about the piece, and in the second Jeremy talks about each movement and then plays it. As a bonus you hear the wonderful, John Scott inspired, new organ. During lockdown, when there was no choir, they used the Leighton liturgically.
                          RJ

                          Comment

                          • Caussade
                            Full Member
                            • May 2011
                            • 97

                            #14
                            Originally posted by Alison View Post
                            Is the Missa de Gloria a work with which anyone is familiar?

                            I’m on the lookout for a recording now.
                            https://www.resonusclassics.com/prod...works-volume-1 which has KL’s magnificent duet Martyrs too

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