OK I stand corrected about priest-holes! The few I've seen were smaller. Is the one pictured above soundproof too? I still find it hard to believe that the rituals of the Mass, including the music, were done in such cramped conditions. Surely, the 'holes' were intended to hide a recusant priest when the 'authorities' came knocking at the door?
To Preserve the Health of Man - William Byrd 9.i.2022
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Originally posted by ardcarp View PostI have to admit to fighting back the tears during Ye Sacred Muses (Tallis is Dead). A viol consort plus a straight solo voice often has that effect on me, so no surprise. Does anyone know which countertenor and which viol consort was involved?My boxes are positively disintegrating under the sheer weight of ticks. Ed Reardon
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Originally posted by ardcarp View PostOK I stand corrected about priest-holes! The few I've seen were smaller. Is the one pictured above soundproof too? I still find it hard to believe that the rituals of the Mass, including the music, were done in such cramped conditions. Surely, the 'holes' were intended to hide a recusant priest when the 'authorities' came knocking at the door?
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Thanks, MC. I sort of guessed Fretwork, but it is good to be reminded of how good Michael's voice was in those days. We heard him live at the Holywell Music Room around that time. My youngest daughter was about 9 then, and she was so entranced by his voice that she asked for (and got) his autograph after the concert.
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Originally posted by ardcarp View PostI've just listened to the play and was totally absorbed by it. A brilliant job by the playwright merging fact with a (mainly excellent) script...not easy.
The musical interpolations were just right too. I have to admit to fighting back the tears during Ye Sacred Muses (Tallis is Dead). A viol consort plus a straight solo voice often has that effect on me, so no surprise. Does anyone know which countertenor and which viol consort was involved? The Odyssean Ensemble was billed as providing the music, but there was nothing specific mentioned about that item.
Two tiny bits of the script jumped out at me as not being quite right. Firstly it was said that Byrd's secret Catholic Masses were 'sung in a priest hole'. If anyone has seen a priest-hole, that seems unlikely! Its function was to hide a priest, usually in a very small hidden recess, not to celebrate Mass. The second was the manipulating of a well-known saw, thus, "Polyphony is the Mother of Invention". It didn't quite make sense to me. The other way round would have been better, but I'm just quibbling over a very minor detail.
It was a great idea for a play, and very well done. Thanks to all concerned.
Originally posted by Miles Coverdale View PostIt's Michael Chance with Fretwork, recorded in 1989. It now seems only to be available as a download.
As for priest holes, you might squeeze some singers into them, but I doubt you'd get a congregation too. I'm sure ardcarp is right: they were bolt holes for when the Protestant authorities came knocking.
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Originally posted by ardcarp View PostIt's Michael Chance with Fretwork, recorded in 1989. It now seems only to be available as a download.
Is it also on this "Goe Nightly Cares" Virgin double CD?
I loved the "T. Linden-Fermor" Amazon review...
The lady on the front looks like she has sat on some nettles and been told "don't scream just yet until I have finished with the oils"
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Originally posted by AuntDaisy View PostIs it also on this "Goe Nightly Cares" Virgin double CD?
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