The singing in this is amazing. Those basses...
Music for Holy Week - Moscow Synodal Choir
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Originally posted by Heldenleben View PostThe singing in this is amazing. Those basses...Last edited by Frances_iom; 28-03-21, 11:14.
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Originally posted by Frances_iom View PostI don't see why we don't hear more from these truly excellent choirs, the technical sound quality was also excellent - likewise why do we have to put up with the potboilers from New York when surely we could hear live broadcasts from the Bolshoi (do they still sing only in Russian translation as they did 30+ years ago when I was a regular most Orthodox christmases? but even if they did there is such a wide wide of excellent Russian language operas that would benefit from native Russian speaking voices)
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Originally posted by Frances_iom View PostI don't see why we don't hear more from these truly excellent choirs, the technical sound quality was also excellent - likewise why do we have to put up with the potboilers from New York when surely we could hear live broadcasts from the Bolshoi (do they still sing only in Russian translation as they did 30+ years ago when I was a regular most Orthodox christmases? but even if they did there is such a wide range of excellent Russian language operas that would benefit from native Russian speaking voices)
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Originally posted by Heldenleben View PostI don’t know why Russian sounds so wonderful when sung and I don’t understand a word of it but the diction in that performance was something to hear ! Can’t get the voice of that mezzo soloist out of my head - surely she’s an opera / lieder singer ?
I have a continuing fascination with the mezzo Klara Korkan's contribution to the Sveshnikov Rachmaninov Vespers ("All Night Vigil") recorded in 1965. The part doesn't call for vocal pyrotechnics but somehow her contribution seems completely sincere - I find it very affecting. Sveshnikov himself graduated from the Moscow Synodical School (b1980). It seems recording the Rachmaninov was a labour of love and in the political climate must have been quite an achievement - the recording was for years only released outside the USSR. (Klara Korkan emigrated to Israel).
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Originally posted by ardcarp View PostThings not quite in the same league in Bulgaria, maybe?
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Originally posted by ardcarp View PostThings not quite in the same league in Bulgaria, maybe?
I agree about the Synodal choir offerings; it's not usually the kind of thing that engages me especially but this I did listen to and enjoy. I was singularly unprepared today having forgotten to change the clocks last night and not having looked at the day's listings ahead of time, so not realised it was an EBU day. That was a good way to get back on track again though.
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I've just re-listened to the Moscow Synodal Choir. Very fine singing indeed. I suppose each tradition of religious music has a style that is considered appropriate to church performance. The Russian Orthodox church seemed especially specific about what was acceptable. (I guess monody was the main sung medium before about 1800, so perhaps we are discussing a 19th century style which continued into the early 20th century, yea even through the Revolution, albeit in secret.) I remember being astonished when I first sang the Rach Vespers years ago at how un-Rachmaninov it sounded! The Russian tongue certainly provides those characteristic vowel sounds...and there must be something in the water that nurtures those bassi profundi.
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