On reflection, I think that perhaps one reason for the popularity of this piece is that it is manageable by amateur choirs, so there are a lot of singers who want recordings as a kind of memento. The other 40 part pieces known to me (by Carl Rütti, Jaakko Mäntyjärvi and James MacMillan) sound as though they need professional groups to do them justice.
Spem in Alium
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Originally posted by Chris Watson View Post...my first experience of it being in Merton Oxford as very young chap, listening to my Dad and 39 others record it for David Wulstan.
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Ha! I don't think I was quite up to the mathematics at that age. I have been involved in another 39 voice performance, as it happens. We sang it at the end of a friend's wedding in Edinburgh and for some reason it was decided that we would repeat it during the party afterwards. There were (if memory serves) 39 singers plus a giggling Watson holding two glasses of Champagne...
Originally posted by Vox Humana View PostYour dad and 38 others actually. One of Wulstan's regular Clerkes told me this. 40 were booked, only 39 turned up. A hurried spot of re-arrangement covered up the gaps. It doesn't show.
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