Can anyone explain why 'Spem' has achieved such ubiquity eg on record etc, when in that age a whole raft of 40+ voice pieces were written and these days far more rarely heard? eg Okeghem Deo Gratias etc.
Spem in Alium
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Originally posted by DracoM View PostCan anyone explain why 'Spem' has achieved such ubiquity eg on record etc, when in that age a whole raft of 40+ voice pieces were written and these days far more rarely heard? eg Okeghem Deo Gratias etc.
You should listen to the new Macmillan 40-part Vidi Aquam, that’s pretty fresh. Or Alec Roth’s Earth Rise, equally exciting.
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https://en.wikipedia.org/wiki/Johannes_Ockeghem"Sometimes the compositional link to the sounds of heaven emerges as the fruit of careful interpretation, as i...
Ahem.................is 'not a great piece to listen to'....???? Really?
IYO, I suggest. In a big space, this would be stunning!
Or this: https://www.youtube.com/watch?v=rzBhYMvnMKQ
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Originally posted by DracoM View Posthttps://www.youtube.com/watch?v=1bYGmISF3ME
Ahem.................is 'not a great piece to listen to'....???? Really?
IYO, I suggest. In a big space, this would be stunning!
Or this: https://www.youtube.com/watch?v=rzBhYMvnMKQ
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Originally posted by BasilHarwood View PostI know the piece. I’m just not a fan!
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Originally posted by Bryn View PostBut you appear to be of Vidi Aquam. Ah well, there's no telling regarding musical taste. Re Striggio's Ecce beatam lucem, was it not in response to that work that Tallis set about showing how a 40 part motet might be done rather better?
Most things by Byrd
Stanford in C (evening)
Rose Responses (SATB not ATB)
That nice Howells chant in flats
Elgar Symphony No 1
Leighton (Cricifixus pro nobis is a banger)
Jamiroquai
Steely Dan
Stormzy
The Game
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Originally posted by BasilHarwood View PostNo there ain’t. And yep I like Vidi Aquam. I also like:
Most things by Byrd
Stanford in C (evening)
Rose Responses (SATB not ATB)
That nice Howells chant in flats
Elgar Symphony No 1
Leighton (Cricifixus pro nobis is a banger)
Jamiroquai
Steely Dan
Stormzy
The Game
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Here's a new version of Spem that was put together in Australia. I've always loved the piece, btw, as a listener, singer and conductor, my first experience of it being in Merton Oxford as very young chap, listening to my Dad and 39 others record it for David Wulstan. We commissioned quite a few new 40 part motets when I was in the Tallis Scholars, with varying degrees of success. My favourite of the new ones is Gabriel Jackson's, I think, (not a TTS commission) and David Bednall wrote a damn good one too.
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