Nasty - if proved to be true.
News from Sheffield
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Originally posted by Vox Humana View PostIt's probably too late now, but it might actually be best to be very guarded about this. The person I mention above with Sheffield connections has just been filled me in on a lot of the background detail to this case. It explains pretty much everything and none of it is what it seems publicly at first glance. As others have commented, there is a lot that is not being told and probably can't be. Please don't send me PMs about this: I have promised confidentiality so will not respond.
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Originally posted by Pulcinella View PostThe Guardian now reports that a bullying and harassment claims investigation is going on:
https://www.theguardian.com/uk-news/...assment-claims
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The Dean of Sheffield, the Very Revd Peter Bradley, comes across as a likeable man of sound mind and brisk sense of humour. Of his own liturgical tastes, he assures me, ‘drums and guitars are not my tradition. The London Oratory is more my world, musically speaking. I cannot say too strongly how committed I
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Originally posted by Andrew Butler View PostI heard that but got shot down in flames elsewhere, and was told that's not what he said!?
Interviewer: So tell me, when you talk about increasing diversity, are you talking about increasing the range of people who might come and join you and sing, or the kind of music they are going to be giving us?
Dean: Well, within the cathedral music tradition, there is opportunities to be singing other, sort of slightly wider repertoire, more contemporary repertoire and so on. I think our repertoire had become rather limited, but...
Interviewer: Give me an example, what sort of thing could we look forward to hearing under the new regime that we might not have heard before
Dean: Well it's not really a new regime but we've sung very little of the sort of beautiful Anglican Tudor repertory, it's very demanding, it's very beautiful, and we sing some of it but I want to bring all of it back into use. Repertory say by Purcell, which is very beautiful and as it happens we have not sung. And i think there are contemporary composers like say Panufnik an English woman composer, who [is] really beautiful we could be singing.
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Originally posted by cat View PostThe bizarre thing is that when asked about the stated reason for disbanding the choir, i.e. increasing diversity, the first thing he mentions is Tudor repertoire. It's the sort of reply one might find in a comedy skit.
As with marriage breakdowns, what a great shame that children suffer the damage of adults falling out.
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Andrew Butler
Originally posted by cat View PostI just listened again and have transcribed the relevant part of the interview:
Interviewer: So tell me, when you talk about increasing diversity, are you talking about increasing the range of people who might come and join you and sing, or the kind of music they are going to be giving us?
Dean: Well, within the cathedral music tradition, there is opportunities to be singing other, sort of slightly wider repertoire, more contemporary repertoire and so on. I think our repertoire had become rather limited, but...
Interviewer: Give me an example, what sort of thing could we look forward to hearing under the new regime that we might not have heard before
Dean: Well it's not really a new regime but we've sung very little of the sort of beautiful Anglican Tudor repertory, it's very demanding, it's very beautiful, and we sing some of it but I want to bring all of it back into use. Repertory say by Purcell, which is very beautiful and as it happens we have not sung. And i think there are contemporary composers like say Panufnik an English woman composer, who [is] really beautiful we could be singing.
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Originally posted by cat View PostI just listened again and have transcribed the relevant part of the interview:
Interviewer: So tell me, when you talk about increasing diversity, are you talking about increasing the range of people who might come and join you and sing, or the kind of music they are going to be giving us?
Dean: Well, within the cathedral music tradition, there is opportunities to be singing other, sort of slightly wider repertoire, more contemporary repertoire and so on. I think our repertoire had become rather limited, but...
Interviewer: Give me an example, what sort of thing could we look forward to hearing under the new regime that we might not have heard before
Dean: Well it's not really a new regime but we've sung very little of the sort of beautiful Anglican Tudor repertory, it's very demanding, it's very beautiful, and we sing some of it but I want to bring all of it back into use. Repertory say by Purcell, which is very beautiful and as it happens we have not sung. And i think there are contemporary composers like say Panufnik an English woman composer, who [is] really beautiful we could be singing.
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