CE Liverpool Cathedral [A] Wed, Feb 12th 2020

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  • DracoM
    Host
    • Mar 2007
    • 12960

    CE Liverpool Cathedral [A] Wed, Feb 12th 2020

    CE Liverpool Cathedral [A] Wed, Feb 12th 2020
    (first broadcast 26 February 2003)


    Order of Service:


    Introit: The Call (Lloyd)
    Responses: Lloyd
    Psalm 119: 145-176 (Garrett, Wilton, Garrett, Atkins)
    First Lesson: Ecclesiastes 1: 1-11
    Office Hymn: King of Glory, King of Peace (Gwalchmai)
    Canticles: Kelly in C
    Second Lesson: James 2: 14-24
    Anthem: Insanae et Vanae Curae (Haydn)
    Te Deum in C (Holst)

    Voluntary: Sept Improvisations, No 7 (Saint-Saens)

    Ian Tracey (Organist and Master of the Choristers)
    Ian Wells (Assistant Organist and Choral Conductor)


    An archive recording from Liverpool Cathedral (first broadcast 26 February 2003).
  • ardcarp
    Late member
    • Nov 2010
    • 11102

    #2
    Good to hear the Bryan Kelly again.

    Comment

    • DracoM
      Host
      • Mar 2007
      • 12960

      #3
      Reminder: today @ 3.30 p.m.

      Comment

      • DracoM
        Host
        • Mar 2007
        • 12960

        #4
        Bump

        Comment

        • DracoM
          Host
          • Mar 2007
          • 12960

          #5
          That was some sing. Nowhere to hide in tricky repertoire.

          Comment

          • ardcarp
            Late member
            • Nov 2010
            • 11102

            #6
            Insanae isn't that hard...apart from a few high notes. I might be just me, but in some places (eg Psalms and Responses) I detected a whiff of 'singing under the note'. This might be the effect of the cavernous acoustic; for instance a loud final organ chord left to buffet around for 8 seconds will tend to flatten as it dies away. I suppose the same thing might happen to choral pitch.

            Comment

            • mw963
              Full Member
              • Feb 2012
              • 538

              #7
              Absolutely agree ardcarp. There was just that hint of sag in the tuning more than once, and right from the start.

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              • Triforium
                Full Member
                • Nov 2010
                • 147

                #8
                Doppler effect.

                Comment

                • ardcarp
                  Late member
                  • Nov 2010
                  • 11102

                  #9
                  Hmmm. Maybe. The Doppler Effect as I understand it, is when the source of sound and the perceiver of sound are moving apart, creating an apparent decrease in wavelength, hence a drop in pitch. (Same sort of thing applies to light, hence the Red Shift.) I've no idea why sound bouncing off walls and vaults should have that effect on a stationary listener (or microphone). There must be some other explanation. Any physicists around?

                  Comment

                  • mw963
                    Full Member
                    • Feb 2012
                    • 538

                    #10
                    I think we must assume - from the fact that Triforium hasn't elucidated further - that a tongue was probably to be found firmly in cheek.

                    I did in fact google Doppler and LIverpool Cathedral, and the only effect I could find involved choirboys running as fast as they could the length of the nave, whilst the organ was playing. I was told (many years ago) that a similar effect could be achieved at Chichester (without the organ) by screaming as one ran.

                    Comment

                    • Alison
                      Full Member
                      • Nov 2010
                      • 6455

                      #11
                      Going back to Kelly in C, has it fallen out of the repertoire a bit these days?

                      Comment

                      • DracoM
                        Host
                        • Mar 2007
                        • 12960

                        #12
                        John's recently featured it in a CE.
                        And St T's Fifth Ave NYC use it now and again.

                        Comment

                        • Alison
                          Full Member
                          • Nov 2010
                          • 6455

                          #13
                          Originally posted by DracoM View Post
                          John's recently featured it in a CE.
                          And St T's Fifth Ave NYC use it now and again.


                          I understand there’s also a Kelly in A flat.

                          Comment

                          • mopsus
                            Full Member
                            • Nov 2010
                            • 817

                            #14
                            Originally posted by Alison View Post


                            I understand there’s also a Kelly in A flat.
                            Do you mean his 'Jamaican Canticles' in E flat? They are fun to sing - I believe they were in the first instance for upper voices only and then arranged for SATB, so there is quite a lot of doubling. (IIRC - I have only sung these once and it was some time ago so I may be mistaken.)

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