‘Dieu parmi nous’ was the second voluntary in 2013.
Chapel of King's College, Cambridge [R] tx Dec 25th 2019
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We had an almost total Ledger descant Advent and Christmas; recommend his ‘O come, O come, Emmanuel’ as the most bouncy and joyful and done with an economy of notes.
We put down all the G Major Descants to F
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Originally posted by Vox Humana View PostWhich rather begs the question whether it was really banned this year and, if so, by whom.
Anyone notice Lord Hall at the TV showing? In congregation shots he was shown staring ahead, resolutely refusing to sing. Maybe that should be more concerning.
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Nevilevelis
Originally posted by jonfan View PostThis is getting a bit ridiculous isn’t it, with all these conspiracy theories worthy of MI5? Philip Billson was the producer, who is unlikely to ban anything the college wanted to perform. Maybe the DOM wanted to make changes where he could in a format that is quite fixed, new broom and all that. At least the producer got 2 hours for the Christmas Day repeat which allowed us to hear both voluntaries gloriously played (and the Vierne talked over by the congregation, which is par in my experience! At least he got a round of applause as appeasement!).
Anyone notice Lord Hall at the TV showing? In congregation shots he was shown staring ahead, resolutely refusing to sing. Maybe that should be more concerning.
This was a beautifully balanced and constructed programme which, knowing him, has Daniel Hyde's intelligence and musical taste all over it. A minted start to his tenure.
NVV
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Originally posted by DracoM View PostIn terms of KCC's / BBC's colossal global pitch for the 9 Lessons 'product' and its variants engineered each year, I am not that sure how loopy such speculation is. Timings alone must be a significant factor?
For over fifty years, the live worldwide relay has lasted 90 minutes and concluded with In dulci jubilo. The BBC itself has always made it clear over these many decades that its Christmas Day repeat includes the second voluntary in its entirety, and the service booklet includes the rubric: Please do not talk during the second organ voluntary, which is being recorded for broadcast on Christmas Day. With the advent of online listening, listeners worldwide can now hear the second voluntary as well by selecting the Christmas Day repeat.
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Originally posted by Nevilevelis View PostThis was a beautifully balanced and constructed programme which, knowing him, has Daniel Hyde's intelligence and musical taste all over it. A minted start to his tenure.
What also struck me was the way DH already manages to pace and balance pieces to enable the interweaving of inner parts to emerge in a way I’ve never heard before. Also the general blend of voices (the tenors especially, as someone commented above), and some fearless solo singing. Very impressive and moving.
Incidentally, I was also at the taping of the Easter BBC2 programme, and if anything enjoyed it most of all. A treat in store for Spring..."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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As can be seen from Caliban's posting, the 'KCC package' is huge for the BBC, and is not by any means just a 'Christmas' thing. That choir is recorded, televised, globally broadcast in all manner of forms more than almost any other men and boys choir. A reputation earned and cherished.
BUT at what point does such a college choir become a multi-dimensional 'property'?
Or is there little or no 'negotiation' between broadcast organisations and the DoM / College on content? Is it all up to the DoM on what is deemed suitable - no argument?
Hmm.
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