Originally posted by DracoM
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King’s College, Cambridge Carol upcoming
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Originally posted by DracoM View PostThank you for doing my job!!"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Caliban View PostMake that two.
Recently back from Cambridge, including a lovely quiet, understated winter weekday Evensong at KCC. Palestrina Mag, Lassus Nunc, the Tallis O nata lux, plus an unadvertised bonus amongst the responses, the setting of the Lord’s Prayer by John Sheppard, stunning music. To my ears, the choir is sounding on top form - very impressed with Daniel Hyde from this first experience. Great blend, some spot-on solo singing, and impeccable treble sound.
A choir in very safe hands. I’m sure they’ll do the new commission full justice on 24th.
I know you are a great supporter of King's and I wonder whether to your ears Dan Hyde appears to be changing the boys' sound or not?
When he was appointed there was some apprehension when he said that he preferred the St John's sound, not a very tactful comment and somewhat disloyal I thought. Some people envisaged King's sound becoming rather ugly as a result. You seem to be very happy with it.
I'm pleased you were impressed because others also queried his pedigree as a choir trainer which has been limited to Oxbridge colleges and a short spell at St Thomas's, New York.
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Originally posted by Resurgam View PostCaliban,
I know you are a great supporter of King's and I wonder whether to your ears Dan Hyde appears to be changing the boys' sound or not?
When he was appointed there was some apprehension when he said that he preferred the St John's sound, not a very tactful comment and somewhat disloyal I thought. Some people envisaged King's sound becoming rather ugly as a result. You seem to be very happy with it.
I'm pleased you were impressed because others also queried his pedigree as a choir trainer which has been limited to Oxbridge colleges and a short spell at St Thomas's, New York.
On the basis of an initial 45 minutes last week, the treble sound seemed to these ears to be classic “King’s” in the best sense.
I confess to a mild allergy to the George Guest / John’s treble style so I think I’d have picked up any tendency in that direction
Hoping for one or two more opportunities to hear the choir live before the year is out so should be able to report further"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Sorry if I trod on any toes in posting the service listing. I thought it pertinent to the question of how the commission might fit into the service as a whole.
I didn't notice any change in the sound of the choir at the evensong I attended last week. I doubt DH would prioritise getting his current trebles to make different noises during his first term. It won't be until 2023/24 that the choir will consist of singers auditioned by him alone, so perhaps a view on any change to the King's sound might more profitably be taken then.
I don't know if it is due to a particular intention by SC, but there is quite a variety amongst the senior trebles at the moment which reminds me of the emphasis on individuality that they have at NCO.
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Daniel Hyde outlined his reasons for choosing Philip Moore in an article published today:
“I commissioned it for a number of reasons. I think Philip is very good, but also Stephen retired to York, which is a nice link. And when I was a chorister at Durham, I remember going to York for a choir festival when I was eight or nine years old and I remember Philip very clearly. I have been aware of his music and influence since then.”
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Originally posted by edashtav View PostA disappointingly safe, conservative choice of new piece by the Stephen Cleobury's successor, Daniel Hyde. I was hoping for a commission from a younger composer, perhaps one whom he encountered in the USA.
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Originally posted by ardcarp View Postmay I just mention A.H. (Daddy) Mann who put King’s Choir on a proper footing and was Boris Ord’s predecessor.
53 years in post, and photographed here on the occasion of their first commercial recording together (Bach & Wood) in 1927. Dr Mann died four months after the second recording sessions (Bach & Brahms) two years later.
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Originally posted by ardcarp View PostAs a completely irrelevant footnote to this thread may I just mention A.H. (Daddy) Mann who put King’s Choir on a proper footing and was Boris Ord’s predecessor. He was taught the organ by someone born in the 18th (yes, eighteenth) century...one Zechariah Buck.
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53 years in post, and photographed here on the occasion of their first commercial recording together (Bach & Wood) in 1927
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