Originally posted by mw963
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CE Exeter Cathedral: Wed, 13th November 2019 [L[
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Thanks for the very detailed explanation - I am a great mic counter as well! . It sounds as though the balance was a fair reflection of the sound as experienced listening in the choir . But having listened in the choir a few years back I don’t remember being able to pick out individual treble voices but then ears aren’t the same as microphones and visual perception modifies aural perception.I guess forty years ago the whole thing would have been done with a couple of coincident pairs and the odd extra mic . Presumably the mic array yesterday featured a couple of sound-fields or have things moved on ?
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Originally posted by Heldenleben View PostThanks for the very detailed explanation - I am a great mic counter as well! . It sounds as though the balance was a fair reflection of the sound as experienced listening in the choir . But having listened in the choir a few years back I don’t remember being able to pick out individual treble voices but then ears aren’t the same as microphones and visual perception modifies aural perception.I guess forty years ago the whole thing would have been done with a couple of coincident pairs and the odd extra mic . Presumably the mic array yesterday featured a couple of sound-fields or have things moved on ?
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Thanks. Thinking about it I guess with a live broadcast they would have doubled up on the mikes thus creating the impression of multi mic overload! don’t suppose much thought is given to mono compatibility now with the the exception of broadcasts intended for global relay ie King’s at Xmas on the worlds service ..mind you I have a feeling that a lot of that is internet only .As you can tell I am a bit out of touch but I do remember being told that recording a choir plus organ in a Cathedral acoustic is very demanding. From googling I see that Soundfields are still in use and that an early experiment with a Calrec tetrahedral array took place in Merton College in 1971 ...
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I agree entirely about the qualities of Exeter organ as an accompanying instrument. You sit to play it [for those who don't know] up on the screen and on the south side of the main case. In theory, it seems far-removed from the choirstalls, but in practice it is 'easy'...perhaps not the right word...to feel contact with the singers. And there's the usual closed-circuit TV screen.
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