Originally posted by Vox Humana
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CE Winchester Cathedral 23.i.19 [L]
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Originally posted by RAC View Post"Wessex" and the descant are in New English Hymnal (49 1st tune) - there is a double connection with Winchester Cathedral. The composer of the tune Alwyn Surplice (1906-1977) was organist of Winchester Cathedral from 1949 to1972,
the composer of the descant Anthony Caesar* (1924-2018) was a chorister at Winchester in the 1930s and Precentor and a Canon from 1974 to 1979.
From the Radley perspective, he pretty well 'created' music there and began to build a reputation from nothing. I think he claimed to be the only person to be installed 4 times at Winchester.
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And - according to the Church Times obit - he played the organ for the 1943 Kings College Carols broadcast.
As a result of work I met him once in about 1983, and - as we got on well - suggested (not really knowing quite how "important" he was) that we had a drink at the bar afterwards. Drink became a canteen meal with another organist colleague, followed by a lengthy return to the bar. An evening the memory of which I shall treasure, a highly amusing, warm and charming man, who wore both his importance and his Faith with the lightest of touches.
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Originally posted by jonfan View PostA lovely distant engineered balance. Good to hear the Holst which doesn't get many airings nowadays, in my experience anyway!
I wonder whether it has dropped out of the repertoire (I've only ever sung it in concert) because of the anti-semitic tone of some of the words? It is a fascinating poem, and seems to be quite a lot older than Sandys' collection.
I felt the balance of the broadcast was a little too distant for my liking.Last edited by mopsus; 24-01-19, 12:37.
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As far as the Holst piece is concerned (under whatever name) I think it has been sung more at carol concerts or by amateur groups of singers on any occasion rather than as an 'anthem'. It's certainly gone out of fashion a bit. Any shades of 'anti-semitism' have passed me by! I've always been fascinated by what...in the Anglican Church...passes for an 'anthem'. It seems pretty much anything goes: psalms words, psalm paraphrase words, other biblical extracts, poems...some verging on the secular (e.g. Britten's [Auden's] Ode to St Cecilia or Bourgeois' The Plum and Wasp is Boiling in the Kitchen), native American spirituals, etc, etc. In fact, anything in the 'anthem slot' can be an anthem.
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Originally posted by mopsus View PostI notice the listing has changed the title. Holst actually named it for the last, not the first line: This have I done for my true love.
I wonder whether it has dropped out of the repertoire (I've only ever sung it in concert) because of the anti-semitic tone of some of the words? It is a fascinating poem, and seems to be quite a lot older than Sandys' collection.
I felt the balance of the broadcast was a little too distant for my liking.
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Originally posted by oddoneout View PostI had to ramp the volume up to hear anything much and was glad the the balance between the various service participants was good so that I didn't get suddenly blasted out. However,judging by what happened later when I tried to listen to the evening concert there may have been a more widespread problem; I had to switch off in the end as the variations alternated between nothing and very loud suddenly and unpredictably. When I finally managed to get to the relevant web page the two local transmitters were reported as working normally, so I don't know what it was all about. Perhaps an FM issue as I don't use digital.
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Originally posted by mopsus View PostI was listening on FM. Another family member reported problems with the evening concert later, in the form of frequent breaks in transmission during the concerto.
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Originally posted by RAC View Post"Wessex" and the descant are in New English Hymnal (49 1st tune) - there is a double connection with Winchester Cathedral. The composer of the tune Alwyn Surplice (1906-1977) was organist of Winchester Cathedral from 1949 to1972,
the composer of the descant Anthony Caesar (1924-2018) was a chorister at Winchester in the 1930s and Precentor and a Canon from 1974 to 1979.
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Going back to Holst's setting, I have just dug out my copy, and notice that he set ALL ELEVEN verses as laid out in The Oxford Book of Carols. This includes v.6 which mentions 'Jews' in a less than favourable context. The text was published in this form by Sandys in the 19th century, but probably has its origins in Medieval carols where outside the church, dance and worship probably intertwined. In Willcocks' lovely arrangement (C for C Orange) he wisely only sets the first 3 verses with a reprise of the first. As I suggested earlier, I think Holst could have pruned his setting to good effect! Just a personal opinion.
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Originally posted by mw963 View PostDo you mean a completely NEW (replacement) organ or a complete overhaul of the existing....?Originally posted by Lizzie View PostAs far as know, it's an overhaul.
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Originally posted by Vox Humana View PostThat's a shame. It really could do with a brand new one. If Worcester and Manchester can manage it, I'm sure Winchester could. I wouldn't say that the existing instrument is utterly beyond the pale, but it really is a stodgy, lumbering thing and I don't know anyone who thinks very highly of it. I spent a week at it once way back in 1970 and it felt a bit like pulling an elephant out of quicksand.
(It's The Organ sub-forum.)
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Originally posted by hmvman View PostMay have been an FM issue. I listened on DAB and it had a good level. The balance, as others have said, was lovely.
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