Comments, anyone? I haven't heard any yet, but a relation texted me this morning to say...not very complimentary things.....about the short list.
R3 Carol Competition
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Originally posted by Serial_Apologist View PostWho's this Carol that everyone keeps referring to??
[ ... if only. This annual bloody carol-bludgeoning is one of THE most tiresome things on ray-dyo-three. And lord knoze there is plenty tiresome stuff here at the moment... ]
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I heard nos. 3 & 4 on EC at around 11.25. I liked no. 3.
Ruthlessly sung by the BBC Singers.
BUT, if you expected me to go on to have a rant about the aforementioned group of singers, I heard a superb soprano on 2nd December. She had the perfect singing voice - unforced, technically excellent, matchless tone, enunciation spot on, not a wobbly voice at all. I thought, "Not the kind of voice you hear in the BBCS". Then I read the programme notes; she is in the BBC Singers.
But then, I suppose we all knew they were excellent singers. It's just when they're all together that things aren't always what they should be.Last edited by Eine Alpensinfonie; 15-12-17, 18:49.
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Originally posted by Eine Alpensinfonie View PostI heard nos. 3 & 4 on EC at around 11.25. I liked no. 3.
Ruthlessly sung by the BBS Singers.
BUT, if you expected me to go on to have a rant about the aforementioned group of singers, I heard a superb soprano on 2nd December. She had the perfect singing voice - unforced, technically excellent, matchless tone, enunciation spot on, not a wobbly voice at all. I thought, "Not the kind of voice you hear in the BBCS". Then I read the programme notes; she is in the BBC Singers.
But then, I suppose we all knew they were excellent singers. It's just when they're all together that things aren't always what they should be.
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Here's the "new broom" conducting the BBCS. She does have a name, by the way - Sofi Jeannin (Swedish mother, French father).
Wait & see what sort of a welcome she gets on this board
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Originally posted by Eine Alpensinfonie View PostI heard nos. 3 & 4 on EC at around 11.25. I liked no. 3.
Ruthlessly sung by the BBC Singers.
BUT, if you expected me to go on to have a rant about the aforementioned group of singers, I heard a superb soprano on 2nd December. She had the perfect singing voice - unforced, technically excellent, matchless tone, enunciation spot on, not a wobbly voice at all. I thought, "Not the kind of voice you hear in the BBCS". Then I read the programme notes; she is in the BBC Singers.
But then, I suppose we all knew they were excellent singers. It's just when they're all together that things aren't always what they should be.
As Britain's only full-time professional chamber choir the BBC Singers should be excellent.
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Originally posted by Stanfordian View PostHiya Eine Alpensinfonie,
As Britain's only full-time professional chamber choir the BBC Singers should be excellent.
I wonder whether this is the cause of the problem. I don't know what their schedule is like, but judging by their December agenda, it could be that their work is so relentless that the finer points of interpretation are sidelined?
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Originally posted by Oldcrofter View PostHere's the "new broom" conducting the BBCS. She does have a name, by the way - Sofi Jeannin (Swedish mother, French father).
Wait & see what sort of a welcome she gets on this board
https://www.youtube.com/watch?v=AoYqsVpCS50
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Originally posted by Eine Alpensinfonie View PostI wonder whether this is the cause of the problem. I don't know what their schedule is like, but judging by their December agenda, it could be that their work is so relentless that the finer points of interpretation are sidelined?
At this time of year BBC Singers will be extremely busy I should think. Early in his career tenor Peter Pears was member but I'm sure you know that.
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I am glad this has been started as a thread . I caught most of the entries this morning . Clearly there are some very competent composers in the final six . But I have to say that the words of the carol in most of the settings were very difficult to make out . Whether this was a consequence of the setting , the recording or the performance or a combination of all three I leave the many choral experts on this strand to comment on. Without getting too 'Council Of Trent' about it surely in this genre above all being able to make out the words is a sine qua non?
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Originally posted by Heldenleben View PostI am glad this has been started as a thread . I caught most of the entries this morning . Clearly there are some very competent composers in the final six . But I have to say that the words of the carol in most of the settings were very difficult to make out . Whether this was a consequence of the setting , the recording or the performance or a combination of all three I leave the many choral experts on this strand to comment on. Without getting too 'Council Of Trent' about it surely in this genre above all being able to make out the words is a sine qua non?
The two a cappella settings this year struck me as at least offering something a little bit different, with a bit of bite. But I doubt that either of them will win.
None of them comes near Mathias’s setting, IMVVHO.
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