CE Eton Choral Course Wednesday, Dec 13th 2017

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  • DracoM
    Host
    • Mar 2007
    • 13027

    CE Eton Choral Course Wednesday, Dec 13th 2017

    CE Eton Choral Course

    Recorded in the Chapel of St John's College, Cambridge


    Order of Service:


    Introit: The truth from above (Vaughan Williams)
    Responses: Leighton
    Psalms 69, 70 (Stainer, Mann)
    First Lesson: Amos 9: 11-15
    Canticles: Collegium Regale (Howells)
    Second Lesson: 1 Romans 13: 8-14
    Anthem: Vox dicentis clama (Naylor)
    Hymn: O come O come Emmanuel (Traditional, descant Ledger)

    Organ Voluntary: Overture to 'St Paul' (Mendelssohn, arr. W.T. Best)


    Tom Winpenny (Organist)
    Tim Johnson (Director of Music)



  • DracoM
    Host
    • Mar 2007
    • 13027

    #2
    Reminder: today @ 3.30 p.m.

    Comment

    • ardcarp
      Late member
      • Nov 2010
      • 11102

      #3
      Another recording.

      Comment

      • DracoM
        Host
        • Mar 2007
        • 13027

        #4
        .............ahem, correction: 'YET another recording'

        OTOH, time of choral year pretty busy, so....would you want a BBC team fussing you about?

        Comment

        • DracoM
          Host
          • Mar 2007
          • 13027

          #5
          Well, some of the finest young voices, blended, disciplined - best singing I've heard in a while.
          Naylor is a huge sing, Howells is not for shirkers either, and the tenor solo was exquisitely done.
          Basses struggled a tad but at that age they would.
          Lovely to hear the John's acoustic less than stuffed and shuffling, hence giving a 'halo' round the sound.
          And a fine vol too.

          My only quibble would be the slowness of the Howells. Or do I mean 'nicely measured'? Hmm. Luckily, as said, the voices could cope and express at that pace, so who am I to dare an ahem?

          Comment

          • Y Mab Afradlon
            Full Member
            • Nov 2010
            • 153

            #6
            Echo your comments especially to the Tenor soloist in the Nunc.

            Comment

            • mw963
              Full Member
              • Feb 2012
              • 538

              #7
              Enjoyed it very much. I'd also single out the treble soloist in the Naylor, my immediate thought (rare I have to say) was to liken her singing to that of a lark, so clear and very moving. A moment of musical joy...

              SWMBO observed that her voice was capable of shattering glass, but in the nicest possible way. Lest there be any doubt, it was meant as a great compliment.

              The Mendelssohn is one of my favourites, I freely admit that in the face of those many people who sneer at him. I have the sheet music and it's beyond me how anyone can play it. Mr Johnson took it at spectacular pace too, I'd just have liked him to milk the rall at the end a bit harder! But terrific performance.

              Comment

              • DracoM
                Host
                • Mar 2007
                • 13027

                #8
                One thing I didn't all that much care for was .....sorry.....the Ledger descant..........why, oh why?

                Comment

                • jonfan
                  Full Member
                  • Dec 2010
                  • 1475

                  #9
                  Originally posted by DracoM View Post
                  One thing I didn't all that much care for was .....sorry.....the Ledger descant..........why, oh why?
                  Why? Because IMO it’s the best descant to O Come, O come. (DW’s is not one of his best; quite unmemorable). Sopranos in our choir love singing this one with it’s bouncy syncopation. (PL’s descants for all the popular carols are worth investigating). The harmony played for the verses I’m sure wasn’t PL’s and the verse lines rushed on in a breathless way.
                  Apart from that a truly wonderful service, endorsing all the above comments. This is an example of YET another excellent unheard recording; let’s have more of them if they are of this standard.

                  Comment

                  • ardcarp
                    Late member
                    • Nov 2010
                    • 11102

                    #10
                    Originally posted by DracoM View Post
                    One thing I didn't all that much care for was .....sorry.....the Ledger descant..........why, oh why?
                    Andrew Carter's arrangement is wonderful. Last verse spine-tingling.

                    Comment

                    • Cockney Sparrow
                      Full Member
                      • Jan 2014
                      • 2303

                      #11
                      Originally posted by jonfan View Post
                      Why? Because IMO it’s the best descant to O Come, O come...... (PL’s descants for all the popular carols are worth investigating).
                      Never posted in this corner of the board before, but I heartily agree - from my untutored point of view. I really don't enjoy many of the descants of recent years - I think the Ledger descants are wonderful, and of course those of Willcocks before him (but can't recall the Willcocks for "O come, O come.......). Having said that, I'll try to check out the Carter - another arranger composer whose work I also very much enjoy.

                      Comment

                      • Op. XXXIX
                        Full Member
                        • Nov 2010
                        • 189

                        #12
                        Originally posted by mw963 View Post
                        The Mendelssohn is one of my favourites [...]
                        Wasn't it a stunning rendition? That glorious kinetic energy that Mendelssohn can unleash. Great service, thanks to all!

                        Comment

                        • ardcarp
                          Late member
                          • Nov 2010
                          • 11102

                          #13
                          Originally posted by Cockney Sparrow View Post
                          Never posted in this corner of the board before, but I heartily agree - from my untutored point of view. I really don't enjoy many of the descants of recent years - I think the Ledger descants are wonderful, and of course those of Willcocks before him (but can't recall the Willcocks for "O come, O come.......). Having said that, I'll try to check out the Carter - another arranger composer whose work I also very much enjoy.
                          Welcome to our small corner! Here's the Carter on Youtube (alas not a well synchronised performnce).

                          San Diego Pro Arte VoicesRecorded: December 20, 2014St. Andrew's by-the-Sea, San Diego, CAText:O come, O come, EmmanuelAnd ransom captive IsraelThat mourns i...


                          To hear it at its best, you'll need Advent at St Paul's (John Scott) the Hyperion CD.

                          Comment

                          • fsharpminor
                            Full Member
                            • Dec 2010
                            • 24

                            #14
                            Originally posted by mw963 View Post
                            Enjoyed it very much. I'd also single out the treble soloist in the Naylor, my immediate thought (rare I have to say) was to liken her singing to that of a lark, so clear and very moving. A moment of musical joy...

                            SWMBO observed that her voice was capable of shattering glass, but in the nicest possible way. Lest there be any doubt, it was meant as a great compliment.

                            The Mendelssohn is one of my favourites, I freely admit that in the face of those many people who sneer at him. I have the sheet music and it's beyond me how anyone can play it. Mr Johnson took it at spectacular pace too, I'd just have liked him to milk the rall at the end a bit harder! But terrific performance.
                            Was it not Mr Winpenny, designated as 'organist' who played the Mendelssohn so finely?

                            Comment

                            • underthecountertenor
                              Full Member
                              • Apr 2011
                              • 1587

                              #15
                              Originally posted by fsharpminor View Post
                              Was it not Mr Winpenny, designated as 'organist' who played the Mendelssohn so finely?
                              Certainly was. A very fine organist. Anyone with an interest in organ music should check out his various recordings for Naxos (Messiaen, Malcolm Williamson), Resonus (L & M Berkeley, McCabe, Stanford) and Toccata (Williamson, Joubert).

                              Comment

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