Originally posted by Brassbandmaestro
View Post
Festival of Nine Lessons and Carols Chapel of King's College, Cambridge
Collapse
X
-
"The sound is the handwriting of the conductor" - Bernard Haitink
-
-
It would be interesting to know what the 'ordinary' congregation/audience thinks/thought of alternative descants, or indeed descants in general. Conversation over the years with friends and chance folk suggests that for 'Hark the Herald' and certainly 'O come all ye faithful' the(Willcocks) descants are expected and welcomed as part of the whole Christmas thing, and are missed when for whatever reason they don't appear.
Comment
-
-
Originally posted by Petrushka View PostSorry, BBM, but O Come all... was in the Willcocks arrangement as per usual. Agree with comments above about the organ/organ scholars though. Like policemen, they seem to get younger every year. The organ sounded thrilling through my system and the engineers did a very fine job.Don’t cry for me
I go where music was born
J S Bach 1685-1750
Comment
-
-
Am NOT trying to imply that trebles were poor etc, au contraire, BUT as one poster put it upthread they were asked to scale heights fff from the start and then pretty regularly against massive ffff textures round them. Would be testing for ANY trebles, and the KCC trebs - yes, brilliant - BUT they also know they truly have to deliver particularly in 'that service' - so, of course, no pressure! And, as I say, they would have been very hard at this and similar repertoire for weeks on and offstage as it were. For my money, that is a tough ask, pro or not.
Comment
-
-
[Quote]I beg to differ, and use Christopher Robinson's for 'O come' and 'Hark! the herald angels sing'. As for 'descents': was that a Freudian slip?[Quote]
Oops no, my carelessness. I’ll investigate Robinson’s descants, thank you. There’s a fascinating interview in the December Organists’ Review where he’s speaking about his life and influences. Especially his methods of training choristers.
Comment
-
-
Originally posted by Eine Alpensinfonie View PostOne of the alternative carols was Bob Chilcott's Shepherds' Carol. The bar lengths change between 2/4 and 3/4. I sang it in a choir I belonged to in North Yorkshire. The sopranos would stretch the 2/4 bars to equal the 3/4 bars, and the conductor didn't appear to notice. So when the tenors had a similar passage on the following page, they were reprimanded for rushing, even though they were the ones who were rhythmically correct.
So listening to KCC Choir, I was aghast to hear them stretching the 2/4 bars too. Maybe it's one of those passages, specified by a composer, but everyone ignores it
Comment
-
-
Just saw this in today's NYT on line, an attempt to educate us benighted Yanks on the Festival of Nine Lessons and Carols:
I never knew, for one, that the solo singer for "Once in Royal David’s City" doesn't know until the microsecond before that he will kick off the proceedings. Anyway, as good an excuse as any to revive this thread for this year. Speaking of which, this year's program:
Comment
-
-
Originally posted by bluestateprommer View Post
I never knew, for one, that the solo singer for "Once in Royal David’s City" doesn't know until the microsecond before that he will kick off the proceedings."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
Comment
-
-
Originally posted by Caliban View PostIf this BBC documentary is broadcast in the US (I bet it will be / has been on BBC Worldwide) https://www.bbc.co.uk/iplayer/episod...f-kings-carols - then you can see, "for the first time ever", that process actually happening at the 2017 service... complete with interview with the chorister thus singled out...
Comment
-
Comment