CE St Davids Cathedral Wed, 31st May 2017

Collapse
X
 
  • Filter
  • Time
  • Show
Clear All
new posts
  • DracoM
    Host
    • Mar 2007
    • 12986

    CE St Davids Cathedral Wed, 31st May 2017

    CE St Davids Cathedral
    The 2017 Cathedral Festival



    Order of Service:


    Introit: Ave Maria (Grayston Ives) first performance
    Responses: Clucas
    Office Hymn: Sing we of the blessed Mother (Abbot's Leigh)
    Psalms 122, 127, 128 (Garrett, Howells, Havergal)
    First Lesson: Zechariah 2:10-13
    Canticles: Murrill in E
    Second Lesson: Luke 1: 39-46
    Anthem: Blest pair of Sirens (Parry)
    Final Hymn: For Mary mother of the Lord (St Botolph)


    Organ Voluntary: Alleluias (Triptyque Grégorien - Langlais)

    Assistant Director of Music: Simon Pearce
    Organist and Master of the Choristers: Oliver Waterer




  • DracoM
    Host
    • Mar 2007
    • 12986

    #2
    Reminder of start time today @ 3.30 p.m.

    Comment

    • Gamba123
      Full Member
      • May 2017
      • 2

      #3
      St Davids Cathedral

      I thought the choir as a whole sounded amazing and very well balanced.

      Oliver Waterer is obviously an outstanding musician. This showed in the singing of the introit and the final psalm which was stunning. I especially liked the bottom F in the Ives.

      Blest pair of sirens sung by a girls top row was just fabulous. The entry "O may we soon again renew that song" was sung with such clarity and technique. Almost brought me to tears.

      The chap who sang the responses was outstanding. Best I've heard this year.

      Outstanding voluntary by the organist.

      All round fantastic service.

      Comment

      • jonfan
        Full Member
        • Dec 2010
        • 1445

        #4
        I agree with Gamba123; this was an exceptional service on many levels. The Ave Maria set the tone with a beautiful, restrained setting. Worth getting to know and hear again. 'The chap who sang the responses' is Jonathan Lean, who is the Dean of the cathedral. He often sings tenor in the choir. His delivery of the opening sentences was a model of how it should be done, drawing the listener into the mood for worship and ready for what follows. Strong confident responses and canticles. The psalm sequence was beautifully judged with a magical hushed delivery of Psalm 128 which showed superb control. Great attack in the Parry and the top line relishing the marvelous tune as mentioned above.
        The top line must be one of the best around with superb blend and control with excellent diction; but can erupt with great power when needed. Superb organ as usual from SP and effortless engineering as the sound was well balanced throughout. I haven't visited St Davids for some time; will book straight away.
        Many thanks to everyone; one to treasure.
        Last edited by jonfan; 31-05-17, 20:05. Reason: typo

        Comment

        • DracoM
          Host
          • Mar 2007
          • 12986

          #5
          Yes, some nice treble line delineation, and confidently sung. A quiet service, but very nicely carried through.

          Comment

          • choralmike
            Full Member
            • May 2017
            • 29

            #6
            I was at this service and enjoyed it very much. I was a little disappointed that the service took place in the Nave and not in the Quire, but it worked well. 'Sirens' is a big sing, but they brought it off well and there was a look of satisfaction and achievement on the faces of the singers at the end.

            A talented and versatile 'crew' at St David's Cathedral, as the Dean and a Canon and two of the lay clerks took part in a wonderfully funny version of 'HMS Pinafore' the previous evening, with generous audience participation.

            Comment

            • jonfan
              Full Member
              • Dec 2010
              • 1445

              #7
              The choir normally sings in the nave, especially for a big service as the quire is quite small. The DOM has in the past placed the choir in an open V for a broadcast, an advantage as it makes a splendid sound over the radio and also the congregation can see the choir more easily. The past two years the girls' sound has sounded quite mature, worthy of an Oxbridge college. This year a much younger sound but great potential. A ten year tenure in this choir must be a very rewarding and enriching experience for a chorister.
              Last edited by jonfan; 06-06-17, 16:38. Reason: Tidying

              Comment

              • mopsus
                Full Member
                • Nov 2010
                • 828

                #8
                I expect there was careful location of the microphones for this - especially after what happened at last year's 9 Lessons and Carols there!

                Comment

                • jonfan
                  Full Member
                  • Dec 2010
                  • 1445

                  #9
                  Originally posted by mopsus View Post
                  I expect there was careful location of the microphones for this - especially after what happened at last year's 9 Lessons and Carols there!
                  O come on! Don't stop there. What happened?
                  Last edited by jonfan; 05-06-17, 17:01.

                  Comment

                  • mopsus
                    Full Member
                    • Nov 2010
                    • 828

                    #10
                    Originally posted by jonfan View Post
                    O come on! Don't stop there. What happened?
                    I was at this service. I think it wasn't till around the sixth lesson that the microphone attached to (or near) one of the lay clerks was switched off. I'm sure the trebles sang wonderfully before that point, but I had no way of telling!

                    Comment

                    • jonfan
                      Full Member
                      • Dec 2010
                      • 1445

                      #11
                      Originally posted by mopsus View Post
                      I was at this service. I think it wasn't till around the sixth lesson that the microphone attached to (or near) one of the lay clerks was switched off. I'm sure the trebles sang wonderfully before that point, but I had no way of telling!
                      Ah, it must have been like a Minus One cd.

                      Comment

                      • ardcarp
                        Late member
                        • Nov 2010
                        • 11102

                        #12
                        Just to say I've now heard last week's CE om i-player, and thought it really excellent. It is extraordinary how some of the remoter cathedrals produce the goods. Tuning, phrasing, blend, tasteful accompaniment...it all fell into place. The lessons and prayers were all of a piece too. It takes a confident choir to do Blest Pair live on air.

                        Comment

                        • jonfan
                          Full Member
                          • Dec 2010
                          • 1445

                          #13
                          Originally posted by ardcarp View Post
                          Just to say I've now heard last week's CE om i-player, and thought it really excellent. It is extraordinary how some of the remoter cathedrals produce the goods. Tuning, phrasing, blend, tasteful accompaniment...it all fell into place. The lessons and prayers were all of a piece too. It takes a confident choir to do Blest Pair live on air.
                          I think, ardcarp, you expressed similar sentiments about last year's broadcast that far off places manage to perform to a very high standard. Maybe it's London and Oxbridge that are remote!

                          Comment

                          • oddoneout
                            Full Member
                            • Nov 2015
                            • 9272

                            #14
                            Originally posted by ardcarp View Post
                            It is extraordinary how some of the remoter cathedrals produce the goods. Tuning, phrasing, blend, tasteful accompaniment...it all fell into place. The lessons and prayers were all of a piece too. .
                            Why extraordinary? Isn't it about having the right quality of 'staff' in place, rather than location? Neither singing potential nor the ability to play the organ well are confined to the large urban centres, and the delivery of a good service is not confined to well known establishments. Just as well for those of us dwelling beyond the pale.

                            Comment

                            • ardcarp
                              Late member
                              • Nov 2010
                              • 11102

                              #15
                              I'm sorry if I repeat myself from time to time. Put it down to age. But I think there is more than just chance to my 'remote place' theory. I know personally a retired Dean of Truro and have discussed it with him. It may be partly to do with the lack of pressure compared with ,say, St Paul's where it is massive. It may be also to do with pride of place, the ability to work always with the same team (i.e. less depping). But is there something else? I can't quite put my finger on it. Maybe to do with young, aspiring DoMs in their first flush of enthusiasm and aspiring to higher things? I'd better stop before I say anything else silly.

                              Comment

                              Working...
                              X