CE Chapel of King's College, Cambridge 24th February 2016

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  • DracoM
    Host
    • Mar 2007
    • 12986

    CE Chapel of King's College, Cambridge 24th February 2016

    CE Chapel of King's College, Cambridge



    Order of Service:



    Organ Prelude: Vater unser in Himmelreich BWV 683 (Bach)
    Introit: Herr, gedenke nicht (Mendelssohn)
    Responses: Byrd
    Psalm 119: 1-32 (Atkins, Hayes)
    First Lesson: Job 1: 6-22
    Deutsches Magnificat (Schütz)
    Second Lesson: Luke 21 v.34 - 22 v.6
    Nunc Dimittis quarti toni (Palestrina)
    Anthem: Denn alles Fleisch (German Requiem - Brahms)


    Organ Voluntary: Duetto II BWV 803 (Bach)



    Organ Scholars: Tom Etheridge and Richard Gowers
    Director of Music: Stephen Cleobury
  • Nick Armstrong
    Host
    • Nov 2010
    • 26572

    #2
    Ohne the big one.....








    "...the isle is full of noises,
    Sounds and sweet airs, that give delight and hurt not.
    Sometimes a thousand twangling instruments
    Will hum about mine ears, and sometime voices..."

    Comment

    • DracoM
      Host
      • Mar 2007
      • 12986

      #3
      Have to say this seems in some parts slightly odd repertoire for KCC. Alongside Byrd and Palestrina, we have Mendelssohn, Brahms.........?
      Do they have a new CD coming out?

      Comment

      • ardcarp
        Late member
        • Nov 2010
        • 11102

        #4
        Maybe a German theme? OK, Byrd and Palestrina, but then Schutz didn't oblige with a Deutsches Nunc, and AFAIK there aren't any Deutsches Responsorien*.

        Anyway, I don't mind a mix-and-match CE.


        *Before anyone finds some...and there are some....nothing that begin, O Herr öffnen du unsere Lippen.

        Comment

        • PeterboroughDiapason
          Full Member
          • Mar 2012
          • 72

          #5
          I wonder if the Brahms will be accompanied by piano duet.

          Comment

          • ardcarp
            Late member
            • Nov 2010
            • 11102

            #6
            I recently (well 2 years ago) heard the German Requiem done in the four-handed version. I was expecting not to like it, but was surprised how effective it was...not as a replacement for the full monty, but as a valid alternative. Apart from anything else, extremely handy for a choral society strapped for cash.
            Last edited by ardcarp; 20-02-16, 13:54.

            Comment

            • Nevilevelis

              #7
              Re. the Brahms, it's right in the middle Cleobury's comfort zone. He recorded it some years ago with the chapel choir in the piano duet accomp. version. http://www.amazon.co.uk/Deutsches-Re.../dp/B000I2JGEG

              With the organ out of action, it's a perfect opportunity for it to resurface.

              Interesting programme - looking forward to it.

              NVV
              Last edited by Guest; 20-02-16, 17:43.

              Comment

              • Wolsey
                Full Member
                • Nov 2010
                • 416

                #8
                [QUOTE=Caliban;542516] Ohne the big one.....

                Facebook members should look here for more pictures of work on the 'big one'.

                Comment

                • DracoM
                  Host
                  • Mar 2007
                  • 12986

                  #9
                  Reminder: today @ 3.30 p.m.

                  Comment

                  • DracoM
                    Host
                    • Mar 2007
                    • 12986

                    #10
                    Hmm.
                    Well...............personally not sure that was a terribly wise idea, but I shall be very interested in posters' reactions.

                    Comment

                    • jean
                      Late member
                      • Nov 2010
                      • 7100

                      #11
                      Really did not care for the pianos, though I love them in the Rossini.

                      Comment

                      • ardcarp
                        Late member
                        • Nov 2010
                        • 11102

                        #12
                        Chacun, etc. The arrangement was Brahms' own. Quite a novelty for CE. I haven't had a chance to listen yet, apart from a few snippets, so am unable to comment on the result!

                        Comment

                        • ardcarp
                          Late member
                          • Nov 2010
                          • 11102

                          #13
                          I enjoyed this broadcast very much. It may come as something of a jolt to hear a piano in CE, but (as I mentioned in an earlier post) I find Brahms' own arrangement (4 hands, one piano) an effective alternative. The text seemed an entirely appropriate choice for Lent and I thought the choir acquitted itself well. I wish SC had not pushed the Palestrina Nunc along quite so fast. It was not perhaps quite different enough in character from the Mag (fulfilled old man Simeon cf ecstatic young Mary) but I felt the choir acquitted itself well in some varied and quite demanding music.

                          Comment

                          • Op. XXXIX
                            Full Member
                            • Nov 2010
                            • 189

                            #14
                            Originally posted by ardcarp View Post
                            It may come as something of a jolt to hear a piano in CE, but (as I mentioned in an earlier post) I find Brahms' own arrangement (4 hands, one piano) an effective alternative.
                            I knew about the Brahms arrangement for piano four hands, but confess that I had never heard any of it. A pleasant surprise, very affecting, almost mystical in its understatement.

                            Wonderful broadcast, thanks King's!

                            Comment

                            • jonfan
                              Full Member
                              • Dec 2010
                              • 1445

                              #15
                              Very enjoyable throughout. Was the miking closer to the singers than usual? The piano version of the Brahms is more suited to a less resonant acoustic; the piano sound just gets lost and doesn't support the singers properly. A fiendishly difficult chorus to keep in tune even in ideal conditions. Was occasional sour intonation because the singers couldn't hear the accompaniment? Long live the organ!

                              Comment

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