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Hochkarätige Konzerte des BR-Chors und der Orchester des BR sowie ausgewählte Veranstaltungen - aus der Region und darüber hinaus: BR-KLASSIK CONCERT bietet zahlreiche musikalische Highlights zum Live-Sehen und als Video on Demand.
Choirs competing:
Main Category
Sofia Vokalensemble (cond.: Bengt Ollén), Sweden
Riga Latvian Society Chamber Choir Austrums (cond.: Arijs Skepasts), Latvia
KlangsCala (cond.: Helmut Zeilner), Austria
Madrigalchor der Hochschule für Musik und Theater München (cond.: Martin Steidler), Germany
Children and Youth Choirs
Aarhus Pigekor (Aarhus Girls Choir, cond.: Helle Høyer Vedel), Denmark
Romanian Radio Children’s Choir (cond.: Voicu Popescu), Romania
Young People’s Chorus of New York City (cond.: Francisco Nunez), USA
Open Category
Singers Ltd. (cond.: Tim Venvell), England
Cosmic Voices Choir (cond.: Vanya Moneva), Bulgaria
Overall winner: Aarhus Girls’ Chorus Winner Adult category: Madrigal Choir of the Munich Academy for Music and Theatre Winner Children and Youth category: Aarhus Girls’ Chorus and Young People’s Chorus of New York City Winner Open category: Cosmic Voices Choir -
I am a bit surprised to see the Sofia Vokalensemble still competeing in events like his - they have won loads of competions over the years and are very established. They are also very good....
AFAIR 'Let the Peoples Sing' did not / does not any longer feature on R3 as such? Is that correct?
As for the entries, I fear I found most of them gimmicky and predictable. Interestingly, I mostly listened with the visuals off, and if you do listen only to the singing, it's.......well, I actually found it very difficult to tell the difference between some ensembles - particularly true of the youth category, where they seemed to use exactly the same vocal tricks and clicks. And sounded identical - Bulgarian choir apart who were utterly different.
Talking of the Youth Category, when I went on screen - usually at the beginning of each new choir then switched to sound only, I was first taken aback and then pretty depressed by the fact that very few ensembles had BOYS singing at all. Young men, yes, but boys? Hmm.
The 2015 UK semi-finalists (at least, the ones I can track down) were:
N. London Collegiate School Chamber Choir
Voices of Lions - Hampton School (S. London) Boys' choir (lower voices)
Salvacosta Adult SATB, Bournemouth area, connected with Salvation Army
Singers Limited Royal G. School, High Wycombe, Boys' choir, (lower voices)
There may have been other choirs in UK semi ?
So no, Draco, no UK boys' higher voices or SATB choir in semis in the last two competitions.
No British choir has won the major trophy (Silver Rose Bowl) since Exeter College Choir in 1979
Do you think that might explain why the BBC stopped serious coverage?
Just mystified. Where was bossy, hard-voiced, relentless trail-giving Ms M-P when you need her?
I wonder how Hampton School, North London Collegiate, RGS High Wycombe, Wells Cathedral feel about zero coverage when European TV does it?
How else do you encourage young singers but by giving them a platform / collective aim?
I wonder how Hampton School, North London Collegiate, RGS High Wycombe, Wells Cathedral feel about zero coverage when European TV does it?
How else do you encourage young singers but by giving them a platform / collective aim?
It doesn't work like that. It is only the final that is televised, and not all finalists attend (they can, if they want to, perform in their home country). The judges at the final cannot see them, only hear them.
I'm well aware of how it works.
In previous years, many will recall that R3 listeners heard more than just the finals - in fact they heard a number of rounds. Hence the schools I mentioned might well have been heard on radio, if not on TV elsewehither.
Now? Well, we don't even have the finals on R3. Should I have to go to European TV online to get them?
How on earth you breed singers / singing-aware kids if you do not showcase them, I do not know.
Mystery to me when R3 is craving new audiences...........
R2, FGS, does Chorister of the Year - why not R3? I simply do not get the R3 policy on encouraging young listeners to cross the divide and dip a toe
In previous years, many will recall that R3 listeners heard more than just the finals - in fact they heard a number of rounds. Hence the schools I mentioned might well have been heard on radio, if not on TV elsewehither.
That may have been the case in the past but now there are two rounds
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