Originally posted by jean
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It often seems that the case for visually 'giving the girls their own identity within the choir'—which, admittedly, leaves me a bit skeptical anyway—may be less about the girls than it is about the boys and that this is especially true in places where, rather than have wholly different vestments (e.g. Salisbury, Lincoln, Exeter), the girls are visually othered from the boys and men through the absence of the very thing—the surplice—that symbolically conveys full membership in the choir.
Several foundations have in the past two or three years have made the decision to vest all of the trebles the same. I'm thinking of Ripon, Ely, Blackburn(?), Peterborough (which, in addition, recently reconfigured the age range of the girls). There may be others. The right symbolic choice, I think, and hopefully reflected in further practice!
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