Pretty loud and in-yer-face, determinedly celebratory and no holds barred from either singers or organ. Occasionally a tad hard-toned, maybe even at times strident, and even now and again with a suggestion of tuning wobbles in the upper voices so mad keen was everybody to give it wellie. But that's the merest cavilling upon the ninth part of an hair.
BUT
in terms of ambition, musicianship, energy and spectacular impact, pretty well faultless.
Victoria is a favourite of mine, and this was a more than decent rendering of OQG.
Mighty canticles on a huge scale - 8-part? Excellent choice to set up tensions and fruitful 'rivalries' between the choirs, of whatever gender.
Loved the anthem. Totally new to me - erm.....not sure how Juan Gutierrez David de Padilla would have reacted to being called a Spanish Mexican? Why was his full name not on the BBC service sheet? My fault maybe: I should have done better research to help posters as ignorant as me!
Two questions:
1. Not entirely sure about the Bach to round off the service. Well played, of course, but it did feel just a bit separate from the other material. Maybe I'm alone on this? Maybe others felt there was a satisfying dialectic between it and the rest of the service.
2. Lent: this was such an exuberant, even opulent service, it did just strike me as a bit odd for the second week of Lent. Yes, it's a feast day, so maybe justified?
BUT
in terms of ambition, musicianship, energy and spectacular impact, pretty well faultless.
Victoria is a favourite of mine, and this was a more than decent rendering of OQG.
Mighty canticles on a huge scale - 8-part? Excellent choice to set up tensions and fruitful 'rivalries' between the choirs, of whatever gender.
Loved the anthem. Totally new to me - erm.....not sure how Juan Gutierrez David de Padilla would have reacted to being called a Spanish Mexican? Why was his full name not on the BBC service sheet? My fault maybe: I should have done better research to help posters as ignorant as me!
Two questions:
1. Not entirely sure about the Bach to round off the service. Well played, of course, but it did feel just a bit separate from the other material. Maybe I'm alone on this? Maybe others felt there was a satisfying dialectic between it and the rest of the service.
2. Lent: this was such an exuberant, even opulent service, it did just strike me as a bit odd for the second week of Lent. Yes, it's a feast day, so maybe justified?
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