Originally posted by smittims
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What is the point of cutaway scores?
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Originally posted by smittims View PostI believe one way they began was the use of a stave-wheel or raster to draw the stave on blank paper. Stravinsky used this in his later music, drawing a stave only where there were notes to put in . . .
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Originally posted by smittims View PostThanks, Bryn, I may have forgotten that.
I remember a five-niibbed pen on sale in the 1970s, which I used for a time. It was a clumsy thing and difficult to avoid smearing ink.
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Originally posted by smittims View PostThanks, Bryn, I may have forgotten that.
I remember a five-niibbed pen on sale in the 1970s, which I used for a time. It was a clumsy thing and difficult to avoid smearing ink.
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Originally posted by Eine Alpensinfonie View PostI had one of those. There was a knack in using them - the right amount of ink and even pressure could produce quite good results.
Nowadays I never buy manuscript paper, but design and print my own according to ongoing requirements.
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Originally posted by RichardB View PostI had one too but I have to say I didn't get the knack, one reason being that I didn't like the staves being so big, so I didn't bother to develop the ability to use it properly. Once I discovered the Panopus 18-stave pad in A3 landscape format there was no contest. (I see that it's still available, but produced by Faber.) Some others might remember that a few decades ago music manuscripts and parts were regularly produced on transparent manuscript paper, using india ink to which corrections could be made by scratching them out with a scalpel. There was a friendly little print shop at the top end of Hatton Garden which supplied such paper, and also printed the resulting music (using the diazo process which was also common in architectural graphics at that time).
Nowadays I never buy manuscript paper, but design and print my own according to ongoing requirements.
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