Interesting comment about "we've all got recorders in our pockets" from RR this morning. This is barely true - I don't normally have one, and I'm not sure about others. I do have a couple of Zoom camcorders - the q2hd and the q3hd (nla - but available sometimes either new or vgc on ebay) - which give fairly good quality recordings.
Mostly I think that trying to do field recordings is difficult. I have tried with my cameras, and results are .... mmmm .... passable at best.
Ideally one wants to at least use a microphone or camera stand and place the recorder somewhere where the recorded sound has some chance of being acceptable. Hand held is really not the way to go - except for a quick momento of an aural experience - and there might also be issues re players allowing one to record them. Aso it can be quite embarrassing, even if the players allow it, and there is often a tendency to keep the recordings short, which seems reasonable at the time, but later on when one gets home it is almost invariably the case that the recordings are found to be too short. Even a couple of minutes standing with a recorder in a 'live' situation can seem like an eternity, yet one has to do more than that to capture anything significant.
If there are live gigs going on nearby, for example a jazz evening in a local pub, it might make sense to have words with the venue and also the artists to see if they'll allow recordings. Some might, some might not, and some might not even have thought about it. Some events may have professional or other recording people present, but some might not have any. An artist or group which makes regular recordings may not want competition from an amateur, but on the other hand .....
Mostly I think that trying to do field recordings is difficult. I have tried with my cameras, and results are .... mmmm .... passable at best.
Ideally one wants to at least use a microphone or camera stand and place the recorder somewhere where the recorded sound has some chance of being acceptable. Hand held is really not the way to go - except for a quick momento of an aural experience - and there might also be issues re players allowing one to record them. Aso it can be quite embarrassing, even if the players allow it, and there is often a tendency to keep the recordings short, which seems reasonable at the time, but later on when one gets home it is almost invariably the case that the recordings are found to be too short. Even a couple of minutes standing with a recorder in a 'live' situation can seem like an eternity, yet one has to do more than that to capture anything significant.
If there are live gigs going on nearby, for example a jazz evening in a local pub, it might make sense to have words with the venue and also the artists to see if they'll allow recordings. Some might, some might not, and some might not even have thought about it. Some events may have professional or other recording people present, but some might not have any. An artist or group which makes regular recordings may not want competition from an amateur, but on the other hand .....
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