I'm very keen to see the booklet of the Nagano if anyone can share it.
Bruckner - Symphony No. 8
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Originally posted by smittims View PostNo, but I did hear this 'original ' version years ago in the Bob Simpson days. I didn't like it, I'm afraid. It includes a fortissimo tutti ending to the first movement.
Does anyone remember the Radio 3 series 'A grand mysterious harmony' where they played all the versions of all the symphonies? Wjhat apoty Rdaio 3 doesn't do anything like that these days; but then we all know why. .
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Goodall Bruckner 8.
A rather touching anecdote about the performance here
For years Reginald Goodall coached singers in his room at the Royal Opera House, having been openly derided by the music director, Georg Solti, as no longer being capable of live conducting. Then he emerged in 1968 to conduct a widely praised new English language production of Wagner’s The Mastersingers…
I only saw Goodall once, a Parsifal. He really had a cult following here, I have memories of talking to his followers in the queue for cheap amphi tickets at Covent Garden. Solti's bitchy remark in that article above, that he was not "capable of live conducting" is thought provoking in its way. IMO his Bruckner 8 isn't quite dead.
This comment which I found on amazon seems right to me
But Goodall offers something different - a sense of struggle, wonderment, uncertainty about the destination, which is surely part of the essence of Bruckner and especially of this uniquely disturbing symphony.
That comment reminds me of ideas about how to play Schubert's piano sonatas - Lonquich, Richter's 1961 Paris D840.
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Originally posted by smittims View PostNo, but I did hear this 'original ' version years ago in the Bob Simpson days. I didn't like it, I'm afraid. It includes a fortissimo tutti ending to the first movement.
Does anyone remember the Radio 3 series 'A grand mysterious harmony' where they played all the versions of all the symphonies? Wjhat apoty Rdaio 3 doesn't do anything like that these days; but then we all know why. .
I find Nagano very satisfying, though I'm not sure whether it's a question of interpretation or edition, probably both. In the first movement there's a passage around 16:20 which is real special for me, and about 12:30 too.
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Originally posted by Mandryka View PostGoodall Bruckner 8.
A rather touching anecdote about the performance here
For years Reginald Goodall coached singers in his room at the Royal Opera House, having been openly derided by the music director, Georg Solti, as no longer being capable of live conducting. Then he emerged in 1968 to conduct a widely praised new English language production of Wagner’s The Mastersingers…
I only saw Goodall once, a Parsifal. He really had a cult following here, I have memories of talking to his followers in the queue for cheap amphi tickets at Covent Garden. Solti's bitchy remark in that article above, that he was not "capable of live conducting" is thought provoking in its way. IMO his Bruckner 8 isn't quite dead.
This comment which I found on amazon seems right to me
But Goodall offers something different - a sense of struggle, wonderment, uncertainty about the destination, which is surely part of the essence of Bruckner and especially of this uniquely disturbing symphony.
That comment reminds me of ideas about how to play Schubert's piano sonatas - Lonquich, Richter's 1961 Paris D840.
But then praised a recording of another Bruckner symphony by him . I haven’t heard either as I don’t like listening to an avowed fascist and Holocaust denier conduct.
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Originally posted by Mandryka View PostGoodall Bruckner 8.
A rather touching anecdote about the performance here
For years Reginald Goodall coached singers in his room at the Royal Opera House, having been openly derided by the music director, Georg Solti, as no longer being capable of live conducting. Then he emerged in 1968 to conduct a widely praised new English language production of Wagner’s The Mastersingers…
I only saw Goodall once, a Parsifal. He really had a cult following here, I have memories of talking to his followers in the queue for cheap amphi tickets at Covent Garden. Solti's bitchy remark in that article above, that he was not "capable of live conducting" is thought provoking in its way. IMO his Bruckner 8 isn't quite dead.
This comment which I found on amazon seems right to me
But Goodall offers something different - a sense of struggle, wonderment, uncertainty about the destination, which is surely part of the essence of Bruckner and especially of this uniquely disturbing symphony.
That comment reminds me of ideas about how to play Schubert's piano sonatas - Lonquich, Richter's 1961 Paris D840.
Stately tempi certainly but what he got out of the singers and orchestra - I’ve rarely heard the like. And that unerring focus on the end . The way he built to the climax of an Act. I still get tingles thinking about Act 2 Gotterdamerung.
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Originally posted by Barbirollians View Post
I recall RO savaged it in Gramophone.
But then praised a recording of another Bruckner symphony by him . I haven’t heard either as I don’t like listening to an avowed fascist and Holocaust denier conduct.
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Originally posted by Mandryka View PostGoodall Bruckner 8.
A rather touching anecdote about the performance here
For years Reginald Goodall coached singers in his room at the Royal Opera House, having been openly derided by the music director, Georg Solti, as no longer being capable of live conducting. Then he emerged in 1968 to conduct a widely praised new English language production of Wagner’s The Mastersingers…
I only saw Goodall once, a Parsifal. He really had a cult following here, I have memories of talking to his followers in the queue for cheap amphi tickets at Covent Garden. Solti's bitchy remark in that article above, that he was not "capable of live conducting" is thought provoking in its way. IMO his Bruckner 8 isn't quite dead.
This comment which I found on amazon seems right to me
But Goodall offers something different - a sense of struggle, wonderment, uncertainty about the destination, which is surely part of the essence of Bruckner and especially of this uniquely disturbing symphony.
That comment reminds me of ideas about how to play Schubert's piano sonatas - Lonquich, Richter's 1961 Paris D840.
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