Bruckner - Symphony No. 8

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  • Mandryka
    Full Member
    • Feb 2021
    • 1509

    I'm very keen to see the booklet of the Nagano if anyone can share it.

    Comment

    • BillMatters
      Full Member
      • Mar 2018
      • 15

      Originally posted by smittims View Post
      No, but I did hear this 'original ' version years ago in the Bob Simpson days. I didn't like it, I'm afraid. It includes a fortissimo tutti ending to the first movement.

      Does anyone remember the Radio 3 series 'A grand mysterious harmony' where they played all the versions of all the symphonies? Wjhat apoty Rdaio 3 doesn't do anything like that these days; but then we all know why. .
      I think it was Stephen Johnson who presented the programme, and it would be great to repeat it (or a new version with SJ) in this bicentenary year.

      Comment

      • Mandryka
        Full Member
        • Feb 2021
        • 1509


        Goodall Bruckner 8.

        A rather touching anecdote about the performance here

        For years Reginald Goodall coached singers in his room at the Royal Opera House, having been openly derided by the music director, Georg Solti, as no longer being capable of live conducting. Then he emerged in 1968 to conduct a widely praised new English language production of Wagner’s The Mastersingers…


        I only saw Goodall once, a Parsifal. He really had a cult following here, I have memories of talking to his followers in the queue for cheap amphi tickets at Covent Garden. Solti's bitchy remark in that article above, that he was not "capable of live conducting" is thought provoking in its way. IMO his Bruckner 8 isn't quite dead.

        This comment which I found on amazon seems right to me

        But Goodall offers something different - a sense of struggle, wonderment, uncertainty about the destination, which is surely part of the essence of Bruckner and especially of this uniquely disturbing symphony.

        That comment reminds me of ideas about how to play Schubert's piano sonatas - Lonquich, Richter's 1961 Paris D840.

        Comment

        • smittims
          Full Member
          • Aug 2022
          • 3867

          Thanks for that. I love that Goodall Bruckner 8. Few others get closer to the heart of the work , for me.

          Comment

          • Mandryka
            Full Member
            • Feb 2021
            • 1509

            Originally posted by smittims View Post
            No, but I did hear this 'original ' version years ago in the Bob Simpson days. I didn't like it, I'm afraid. It includes a fortissimo tutti ending to the first movement.

            Does anyone remember the Radio 3 series 'A grand mysterious harmony' where they played all the versions of all the symphonies? Wjhat apoty Rdaio 3 doesn't do anything like that these days; but then we all know why. .

            I find Nagano very satisfying, though I'm not sure whether it's a question of interpretation or edition, probably both. In the first movement there's a passage around 16:20 which is real special for me, and about 12:30 too.

            Comment

            • Barbirollians
              Full Member
              • Nov 2010
              • 11555

              Originally posted by Mandryka View Post
              Goodall Bruckner 8.

              A rather touching anecdote about the performance here

              For years Reginald Goodall coached singers in his room at the Royal Opera House, having been openly derided by the music director, Georg Solti, as no longer being capable of live conducting. Then he emerged in 1968 to conduct a widely praised new English language production of Wagner’s The Mastersingers…


              I only saw Goodall once, a Parsifal. He really had a cult following here, I have memories of talking to his followers in the queue for cheap amphi tickets at Covent Garden. Solti's bitchy remark in that article above, that he was not "capable of live conducting" is thought provoking in its way. IMO his Bruckner 8 isn't quite dead.

              This comment which I found on amazon seems right to me

              But Goodall offers something different - a sense of struggle, wonderment, uncertainty about the destination, which is surely part of the essence of Bruckner and especially of this uniquely disturbing symphony.

              That comment reminds me of ideas about how to play Schubert's piano sonatas - Lonquich, Richter's 1961 Paris D840.
              I recall RO savaged it in Gramophone.

              But then praised a recording of another Bruckner symphony by him . I haven’t heard either as I don’t like listening to an avowed fascist and Holocaust denier conduct.

              Comment

              • Ein Heldenleben
                Full Member
                • Apr 2014
                • 6619

                Originally posted by Mandryka View Post
                Goodall Bruckner 8.

                A rather touching anecdote about the performance here

                For years Reginald Goodall coached singers in his room at the Royal Opera House, having been openly derided by the music director, Georg Solti, as no longer being capable of live conducting. Then he emerged in 1968 to conduct a widely praised new English language production of Wagner’s The Mastersingers…


                I only saw Goodall once, a Parsifal. He really had a cult following here, I have memories of talking to his followers in the queue for cheap amphi tickets at Covent Garden. Solti's bitchy remark in that article above, that he was not "capable of live conducting" is thought provoking in its way. IMO his Bruckner 8 isn't quite dead.

                This comment which I found on amazon seems right to me

                But Goodall offers something different - a sense of struggle, wonderment, uncertainty about the destination, which is surely part of the essence of Bruckner and especially of this uniquely disturbing symphony.

                That comment reminds me of ideas about how to play Schubert's piano sonatas - Lonquich, Richter's 1961 Paris D840.
                I saw him several times in Tristan , The Ring , Mastersingers . With the exception of Carlos Kleiber the greatest Opera conductor I’ve ever seen live. Solti’s Wagner (live ) was superficial in comparison.
                Stately tempi certainly but what he got out of the singers and orchestra - I’ve rarely heard the like. And that unerring focus on the end . The way he built to the climax of an Act. I still get tingles thinking about Act 2 Gotterdamerung.

                Comment

                • Ein Heldenleben
                  Full Member
                  • Apr 2014
                  • 6619

                  Originally posted by Barbirollians View Post

                  I recall RO savaged it in Gramophone.

                  But then praised a recording of another Bruckner symphony by him . I haven’t heard either as I don’t like listening to an avowed fascist and Holocaust denier conduct.
                  Yes that’s what really hampered his career at the ROH as I gather the Royal Family amongst others felt the same. Thankfully Lord Harewood , who fought with some distinction in the War , had a more forgiving nature.

                  Comment

                  • richardfinegold
                    Full Member
                    • Sep 2012
                    • 7558

                    Originally posted by Mandryka View Post
                    Goodall Bruckner 8.

                    A rather touching anecdote about the performance here

                    For years Reginald Goodall coached singers in his room at the Royal Opera House, having been openly derided by the music director, Georg Solti, as no longer being capable of live conducting. Then he emerged in 1968 to conduct a widely praised new English language production of Wagner’s The Mastersingers…


                    I only saw Goodall once, a Parsifal. He really had a cult following here, I have memories of talking to his followers in the queue for cheap amphi tickets at Covent Garden. Solti's bitchy remark in that article above, that he was not "capable of live conducting" is thought provoking in its way. IMO his Bruckner 8 isn't quite dead.

                    This comment which I found on amazon seems right to me

                    But Goodall offers something different - a sense of struggle, wonderment, uncertainty about the destination, which is surely part of the essence of Bruckner and especially of this uniquely disturbing symphony.

                    That comment reminds me of ideas about how to play Schubert's piano sonatas - Lonquich, Richter's 1961 Paris D840.
                    Did Goodall wear his British Fascist Blackshirt while conducting?

                    Comment

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