Originally posted by Cockney Sparrow
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Bruckner - Symphony No. 8
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Originally posted by Beef Oven! View PostJust put on Furtwangler VPO 1944.
I was always very pleased with the sound quality on this disc, but having listened to quite a few very well recorded discs lately, I can hear that this is dated.
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Gürzenich Orchester Köln, Gunter Wand. Recorded live, 1971.
Downloaded from Qobuz last night for £3.99 16 Bit CD quality (also available there and on Amazon coupled with Brahms 2 (1958) & 4 (1960).
I only managed the first movement last night, it was very late, but I will say the sound quality is excellent. Will get my head and ears 'round it in due course.
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Originally posted by Beef Oven! View PostI've never done it either.......but
Bohm Tonhalle - Haas
Karajan BPO 1957 - Haas
Karajan BPO 1975 - Haas
Karajan VPO - Haas
Barbirolli Halle - Haas
Goodall BBSO - Haas
Thielemann Dresden - Haas
Kubelik Bavarian RSO - Haas
Asahina - Haas
Barenboim BPO - Haas
Boulez VPO - Haas
Schuricht VPO - Haas
Wand BPO - Haas
Wand Köln - Haas
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Celibidache MPO - Novak
Chailly Concertgebouw - Novak
Giuliani VPO - Novak
Jochum BPO - Novak
Jochum S Dresden - Novak
Klemperer N Philharmonia - Novak
Maazel BPO - Novak
Tennstedt LPO - Novak
Harnoncourt BPO - Novak
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Various Furtwangler & Knappertsbusch that I don't have the energy to list - mainly Schalk, I think.
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Wish list?
Van Zweden Nederlands RP - Novak
Venzago Konzerhausorchester Berlin - Novak
Giulini BPO 1984 (Testament) - Novak
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Favourites?
Karajan VPO - Haas
Celibidache - Novak
Boulez VPO - Haas
Bohm Tonhalle - Novak
Asahina Osaka PO (today!!) - Haas
So in terms of my favourites, it's pretty evenly split between Haas and Novak
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And to update, I have recently added:
Giuseppe Sinopoli, Dresden Staatskapelle on DG
Gunter Wand, Gürzenich Orchester Köln on Acanta
Gunter Wand, NDR Sinfonieorchester on RCA Victor
Edward Van Beinum, Royal Concertgebouw, Amsterdam on Naxos (previously on Decca Eloquence et al).
About 34 in total, not even close to some people's total on this forum! (like Petrushka's 45!)
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Originally posted by Beef Oven! View PostLooking through my list again, I see I have forgotten to list 2 Karl Bohm recordings. His studio VPO on DG and a live 1978 with the Tonhalle De Zurich on the Palexa label.
And to update, I have recently added:
Giuseppe Sinopoli, Dresden Staatskapelle on DG
Gunter Wand, Gürzenich Orchester Köln on Acanta
Gunter Wand, NDR Sinfonieorchester on RCA Victor
Edward Van Beinum, Royal Concertgebouw, Amsterdam on Naxos (previously on Decca Eloquence et al).
About 34 in total, not even close to some people's total on this forum! (like Petrushka's 45!)
Furtwangler is mostly Haas with a few tinkerings of his own while Knappertsbusch uses the Leinau 1892 edition in a 1951 BPO recording I have."The sound is the handwriting of the conductor" - Bernard Haitink
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Originally posted by Petrushka View PostBernard Haitink isn't there at all! All of his recordings use Haas but latterly he has (for whatever reason) taken up Nowak.
Furtwangler is mostly Haas with a few tinkerings of his own while Knappertsbusch uses the Leinau 1892 edition in a 1951 BPO recording I have.
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Originally posted by Beef Oven! View PostI don't have any Haitink, but I've been eyeing one on Philips. Is that worth getting?
I'll leave it to Pet to adjudicate on the three Philips versions.
Then there is the Dresden version on Profil - more beefy somehow!
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Originally posted by Petrushka View PostBernard Haitink isn't there at all! All of his recordings use Haas but latterly he has (for whatever reason) taken up Nowak.
Furtwangler is mostly Haas with a few tinkerings of his own
[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by Alison View PostThe Philips versions are 1970 Concertgebouw, 1982 Concertgebouw and 1995 Vienna Philharmonic. Dates approximate.
I need to relisten before giving my verdict. I don't much care for the scherzo in the otherwise noble early eighties reading.
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Originally posted by Alison View PostThe Philips versions are 1970 Concertgebouw, 1982 Concertgebouw and 1995 Vienna Philharmonic. Dates approximate.
I need to relisten before giving my verdict. I don't much care for the scherzo in the otherwise noble early eighties reading."The sound is the handwriting of the conductor" - Bernard Haitink
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Originally posted by ferneyhoughgeliebte View PostHaitink is following the example of Furtwangler, who also opted for Nowak in his later years - there's even a recording:
https://www.amazon.co.uk/BRUCKNER-No.../dp/B002YNCO1Y"The sound is the handwriting of the conductor" - Bernard Haitink
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Originally posted by ferneyhoughgeliebte View PostHaitink is following the example of Furtwangler, who also opted for Nowak in his later years - there's even a recording:
https://www.amazon.co.uk/BRUCKNER-No.../dp/B002YNCO1Y
It's very unlikely that the 10/04/54 Andante/Arkadia (Andante gets the date wrong) Furtwangler 8th uses the Nowak edition, as this was only published in 1955, after the conductor's death.
Berky lists only modified Haas or the 1892 edition for Furtwangler's many issues, categorising this 10/4/54 one as the 1892 Bruckner-Schalk revision, ed. Haslinger-Schlesinger-Lienau. This was the work's first publication. There's not much difference to the Nowak 1890 score - see Griegel for the details. Note too, that Bruckner rejected a Schalk suggestion for a large cut to the finale. In this context, see Griegel's notes to the 3rd and 5th Symphonies.
With friends like these......
But note that, with respect to the comments in the last paragraph about first published editions, Korstvedt, Marques, et al would now consider the 1896 edition of the 5th, with the Schalk-truncated finale, as almost certainly inauthentic.
Last edited by jayne lee wilson; 02-05-16, 05:48.
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