Jochum uses Nowak in both his Stereo recordings.
Furtwangler used Haas (but in one performance at least, cut out the bars Haas wrote into the slow movement) until his final performance in 1954, when he used Nowak (1890).
Knappertsbusch stuck to the Schalk and other early editions.
Böhm/Tonhalle 1978 uses Haas, according to the CD sleeve:
Most of the mid-century great conductors who recorded the work had careers which developed when only the Haas was available - Nowak was published in 1955, by which time many of them had established their ideas of how the work should "go" - and shared the views of contemporary musicologists such as Simpson and Cooke that the Haas had the best of both versions.
Furtwangler used Haas (but in one performance at least, cut out the bars Haas wrote into the slow movement) until his final performance in 1954, when he used Nowak (1890).
Knappertsbusch stuck to the Schalk and other early editions.
Böhm/Tonhalle 1978 uses Haas, according to the CD sleeve:
Most of the mid-century great conductors who recorded the work had careers which developed when only the Haas was available - Nowak was published in 1955, by which time many of them had established their ideas of how the work should "go" - and shared the views of contemporary musicologists such as Simpson and Cooke that the Haas had the best of both versions.
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