Haitink's Bruckner 9 has arrived from the tax dodgers . I shall be giving it a spin tonight .
Haitink's new Bruckner 9
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Originally posted by Alison View PostPretty glowing review from David Gutman in Gramophone. He's by no means a Haitink man so I'd say this was praise indeed. 'Great music making' is his conclusion, shared by an orchestral player he met in the lift after the Barbican concert.
I am very much convinced by it - a truly epic performance and wonderful playing by the LSO .
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Originally posted by Barbirollians View PostIs that in the Feb Gramophone Alison ? No sign of it in the March .
I am very much convinced by it - a truly epic performance and wonderful playing by the LSO .
A tremendously gripping account which pretty much sets a new standard for Bruckner playing in London.
An American review said that if this disc carried the Klemperer name it would be hailed as the greatest of all time.
It is what it is: an old man's account of the symphony and it sounds very much like that. The younger Haitink had
faster tempi and more sheer temperament. This is a rather special meeting of (probably) final thoughts about final things.
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Richard Tarleton
Thanks to this thread I'm now awaiting two Haitink Bruckner 9s in the post! I have had his RCO one on LP since 1972....There are very few works of which I have multiple versions (well, 5 in this case, about to be 7, not exactly up to Petrushka standards ) but this is one of them. I've just realised I have an LSO Live 9 by Sir Colin Davis but don't think I've played it more than once. (The others are Wand, Giulini and Walter - and there'll be 3 Haitinks!).
I've given your Amazon review a Helpful vote, Pet!
My first live 9 in was conducted by Zubin Mehta in February 1973, and was also Jacqueline du Pré's last London concert.
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Originally posted by Richard Tarleton View PostThanks to this thread I'm now awaiting two Haitink Bruckner 9s in the post! I have had his RCO one on LP since 1972....There are very few works of which I have multiple versions (well, 5 in this case, about to be 7, not exactly up to Petrushka standards ) but this is one of them. I've just realised I have an LSO Live 9 by Sir Colin Davis but don't think I've played it more than once. (The others are Wand, Giulini and Walter - and there'll be 3 Haitinks!).
I've given your Amazon review a Helpful vote, Pet!
My first live 9 in was conducted by Zubin Mehta in February 1973, and was also Jacqueline du Pré's last London concert."The sound is the handwriting of the conductor" - Bernard Haitink
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I listened to it last night on Spotify. I had just listened to the Klemperer recording the previous day. There are a lot of similarities in approach here. They are both moving experiences. I will listen to the Haitink a few more times to get my bearings.
oops, got my bearings. On listening again just now , I realize that this is an older recording. I guess this kind of thing can happen when Artists issue multiple recordings of the same piece.Last edited by richardfinegold; 05-04-14, 12:12.
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I returned to this recording today after buying the Arte Nova Wakasugi ( another charity shop bargain £1 ) the other week having long been a fan of the latter's Brukner 2 on the same label .
The Wakasugi is a performance which if one got to know the symphony from it is a sound guide and would lead to a love of the piece but it seemed a bit lightweight to me .
Returning to this Haitink Bruckner 9 has been a revelation in response. Granite hewn it is and reaches into the heart of the music in a way that appears to be miles away from the Wakasugi pleasurable listen as that is .
I wonder if there is any more LSO Bruckner to come from Haitink ?
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Originally posted by Barbirollians View PostI returned to this recording today after buying the Arte Nova Wakasugi ( another charity shop bargain £1 ) the other week having long been a fan of the latter's Brukner 2 on the same label .
The Wakasugi is a performance which if one got to know the symphony from it is a sound guide and would lead to a love of the piece but it seemed a bit lightweight to me .
Returning to this Haitink Bruckner 9 has been a revelation in response. Granite hewn it is and reaches into the heart of the music in a way that appears to be miles away from the Wakasugi pleasurable listen as that is .
I wonder if there is any more LSO Bruckner to come from Haitink ?"The sound is the handwriting of the conductor" - Bernard Haitink
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