Shostakovich: which one is your favourite amongst his works?
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amateur51
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Originally posted by amateur51 View Post
Reminded me of why I felt like I needed first aid after playing trombone in that - the dozens and dozens of bars of off-beat quavers (brain-mashing to count) and then those fast unison melodic bits involving semi-quavers... nowhere to breathe... fear of playing an extra bar of offbeat quavers fortissimo in a silent bit... fear, pain and oxygen-starvation... What fun! Spasiba, Dmitri Dmitrievich !!"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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cocolinmichela
Listen out for Shostakovich's Prelude to the Gadfly from A Tale of Two Cellos, out Monday, beautiful piece!!!!
It's the prelude, not the popular "romance" which is often played by violinists.
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cocolinmichela
Originally posted by Brassbandmaestro View PostCertainly makes a change from the Romance, Michela. thank you for that link.
I played the Shosta Symphony 15 again yesterday, this time by Haitink. Another great and warm sounding recording.
There are lots of interesting pieces on A Tale, particularly the Monteverdi, Hahn, Holst and Piazzolla. Also an Ave Maria by Saint Saens, which makes a nice change from the well known Bach, Schubert, Gounoud, Caccini etc..
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Originally posted by cocolinmichela View PostNice one!
There are lots of interesting pieces on A Tale, particularly the Monteverdi, Hahn, Holst and Piazzolla. Also an Ave Maria by Saint Saens, which makes a nice change from the well known Bach, Schubert, Gounoud, Caccini etc..
What piece is that one by Piazolla?Don’t cry for me
I go where music was born
J S Bach 1685-1750
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Originally posted by jayne lee wilson View PostI place 4 and 15 above all else in his symphonic output with 5 and 10 not far behind - but for me it HAS to be the 7th, the Great Symphony of the Siege of Leningrad.
I love it for its melody, its tragedy, its anguish and its joy. That long slow quiet anticipation through the finale, then the plunge into the coda, those almost hysterical string figurations and then - THAT MOMENT, as those snarling firebird fanfares rise, twice, against the tension, bursting for release...
Then I think back over DSCH's most glorious slow movement, the shattering requiem at the height of the first movement's blundering destructiveness... that ashen bassoon among the ruins... the broad sunlit landscape of the very beginning...
oh yes, it just has to be the 7th.Last edited by mathias broucek; 29-09-13, 10:19.
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Originally posted by mathias broucek View PostSo glad it's not just me! What's your favourite recording?
I've not heard the later Gergiev or recent Nelsons recordings. Perhaps someone can comment. Also interested to hear of JLW's recommendation."The sound is the handwriting of the conductor" - Bernard Haitink
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cocolinmichela
Originally posted by Brassbandmaestro View PostWhat piece is that one by Piazolla?
Enjoy!!
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Originally posted by mathias broucek View PostSo glad it's not just me! What's your favourite recording?Last edited by Stanfordian; 29-09-13, 15:29.
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Originally posted by cocolinmichela View PostDon’t cry for me
I go where music was born
J S Bach 1685-1750
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Richard Tarleton
So what recording of 4 would people recommend?
(I seem to have several Haitinks among my Shostakovich symphonies)
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Originally posted by Richard Tarleton View PostSo what recording of 4 would people recommend?
(I seem to have several Haitinks among my Shostakovich symphonies)
Barshai with the WDRSO is pretty damn fine, too.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by Brassbandmaestro View PostDid'nt Previn do this for EMI.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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