Wonderful piano playing in this set....
Schumann, Robert (1810 - 1856)
Collapse
X
-
Originally posted by gradus View PostAlso the Dino Ciani set of the Novelettes, rare on record and really worth getting to know - some sublime Schumann.
Yet most of the pieces sounded very pleasant on their own - though I'd make an exception for the last one, too many forced and repetitive climaxes at the end - but the whole seemed far less than the sum of its parts. Not enough contrast between the pieces seemed to be the main problem.
It could of course have been the performance but I don't think it was.
Comments??I keep hitting the Escape key, but I'm still here!
Comment
-
-
Roehre
Originally posted by LeMartinPecheur View Postgradus and other enthusiasts for the Novelettes: do you listen to them as a set, or pick one or two? Not so long ago I heard the complete set live - not an experiance I (and many others in the audience) would be at all keen to repeat.
Yet most of the pieces sounded very pleasant on their own - though I'd make an exception for the last one, too many forced and repetitive climaxes at the end - but the whole seemed far less than the sum of its parts. Not enough contrast between the pieces seemed to be the main problem.
It could of course have been the performance but I don't think it was.
Comments??
Comment
-
John Shelton
Andras Schiff, IMV, does wonders in finding variety and nuance of expression in the set http://www.amazon.co.uk/Andras-Schif...0&sr=1-2-spell
Just the three, but Sviatoslav Richter is never mechanical http://www.prestoclassical.co.uk/r/Alto/ALC1188
Comment
-
John Shelton
Please don't forget Catherine Collard's recordings for Lyrinx http://www.amazon.fr/Catherine-Colla...3384225&sr=1-1 (not so much the Apex disc).
Or indeed her Haydn http://www.amazon.fr/Int%C3%A9grale-...pd_sim_sbs_m_2
So sad she died young. http://en.wikipedia.org/wiki/Catherine_Collard
Comment
-
Originally posted by Hey Nonymous View PostAndras Schiff, IMV, does wonders in finding variety and nuance of expression in the set
There are other alternatives for anyone wanting to obtain the complete set, however. Ronald Brautigam on a single CD with other rarities (including the Allegro in B minor.Drei Phantasiestucke; the late Gesang der Fruhe), offers fine performances of the Novelettes. Dino Ciani on a well regarded box set offers fine playing, well recorded, without ever suggesting he is entirely at home in the repertoire. Both of these pianists, by the way, take around 46 minutes.
Comment
-
-
May I go back to thoughts about Schumann and add this link for those who have not come across the essay before:
- Schumann is seen as a "thicker Faure" by some in France, lacking interest. This is because Schumann's piano music emphasizes interiority and intimacy, which have lost cultural value as people seek more collective experiences. - Schumann's music is very personal and can only be fully appreciated by someone playing it themselves. Modern culture separates listening from playing, so his music seems "impoverished" when just listened to. - Schumann's music references the real world but it is threatened by constant change and fragmentation. Brief musical forms mirror this "decentering of the subject." Pure pain without object, the essence of madness, emerges through a single note or rhythm imposed to the point of
Comment
-
-
Originally posted by Hey Nonymous View PostPlease don't forget Catherine Collard's recordings for Lyrinx http://www.amazon.fr/Catherine-Colla...3384225&sr=1-1 (not so much the Apex disc).
Or indeed her Haydn http://www.amazon.fr/Int%C3%A9grale-...pd_sim_sbs_m_2
So sad she died young. http://en.wikipedia.org/wiki/Catherine_Collard
Comment
-
-
John Shelton
Originally posted by gurnemanz View PostCollard on top form accompanies the contralto Nathalie Stutzmann in Op 39 Frauenliebe, Dichterliebe and others on this recommendable box.
Comment
-
Totally agree with Roehre about the late Schumann. I've been listening to those Widmann/Varjon Violin Sonatas again, and the Tetzlaffs/Andnes Piano Trios, and they really draw you in. Very nocturnal listening. I second my own recommendation!
Knowing what happened to poor Schumann in his last years can just as easily distort as illuminate your response to the last works. It's easy to see the 1st movement of the Violin Concerto as "obsessive" or melodically "jagged", but its tensions are wondrously resolved by one of his loveliest slow movements and an irresistibly catchy polonaise-finale! Again the 1st Violin Sonata combines a gravely beautiful melodic flow with some remarkably inventive and disruptive musical lines and structures..
If you've not got beyond Piano Quartet/Quintet in the chamber music, do explore, it's very rewarding.
Comment
-
-
Originally posted by Hey Nonymous View PostThe composer, for me, who most engages with Schumann's later music is Heinz Holliger, and specifically with the destroyed 'cello / piano pieces.
Comment
-
Comment