No previous thread as far as I can see.
I'll kick things off by saying that I'm enjoying reading the chapter in Zubin Kanga's doctorate on Z/K
and that I was in a discussion about Seven Sacred Motets where someone said that Finnissy uses non-western scales, harmonies and other things (sorry -- you know what I mean!) there. Does anyone know if it's true? Or is it "in the style of", a pastiche maybe, of, let's say . . something early from Europe.
I'll kick things off by saying that I'm enjoying reading the chapter in Zubin Kanga's doctorate on Z/K
and that I was in a discussion about Seven Sacred Motets where someone said that Finnissy uses non-western scales, harmonies and other things (sorry -- you know what I mean!) there. Does anyone know if it's true? Or is it "in the style of", a pastiche maybe, of, let's say . . something early from Europe.
Comment