Originally posted by RichardB
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Carter, Elliott (1908 - 2012)
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Originally posted by Joseph K View PostI guess it could be better, you're right ('hideous' seems like a bit of an extreme description though IMO)
I have the Rosen recording from 1961 (is there more than one?) lined up for listening later... guitar practice beckons now...
No idea what the revision consisted of though (or if Rosen recorded it again).
PS: Track timings might help you find out. This is from here:
Release Date: 7th Nov 2011
Catalogue No: 48281
Label: Soundmark Records
Carter, E: Piano Sonata (rec. 25 April 1961)
Work length 21:22
Charles Rosen
I. Maestoso
Track length 9:51
II. Andante
Track length 11:31
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Originally posted by Pulcinella View PostThe Lawson recording on Virgin says Piano Sonata (1945-6 revised 1962).
No idea what the revision consisted of though (or if Rosen recorded it again).
PS: Track timings might help you find out. This is from here:
Release Date: 7th Nov 2011
Catalogue No: 48281
Label: Soundmark Records
Carter, E: Piano Sonata (rec. 25 April 1961)
Work length 21:22
Charles Rosen
I. Maestoso
Track length 9:51
II. Andante
Track length 11:31
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Originally posted by Serial_Apologist View PostHmm - have to say I'm with Richard there: it looks as if Carter was being photographed in a corner of the stage at a Conservative Party conference - with appropriate shirt to match! I wonder what others think...
http://bridgerecords.com/products/9314
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Originally posted by Bryn View PostHmm, why was Elliott Carter doing a Les Patterson impression?
Rosen's two recordings are not so different from one another. I also had a listen to Ursula Oppens's recording but gave up after a few minutes because it seemed far too splashy and uneven. Rosen gives the work the total clarity it needs. I also listened to a few other items in the "Charles Rosen Plays Modern Piano Music" set - the Boulez 1st and 3rd Sonatas which I hadn't heard for years, and the Stravinsky Serenade and Sonata which I don't think I'd ever heard before. Of course he's a perfect pianist for Stravinsky.
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Originally posted by RichardB View Post. . . Of course he's a perfect pianist for Stravinsky.
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Originally posted by Joseph K View PostI located the later Charles Rosen performance of the piano sonata and am enjoying it. Hints of Ravel and Bartok... I'm not too familiar with this stage of his oeuvre.
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Originally posted by RichardB View PostIt seems to me that the Sonata stands out from everything else Carter wrote around that time, and from other piano music too in its use of resonances based on harmonic-series relations (Schiff writes about this IIRC). I'm sure Carter was thinking of Ives's piano music when writing it.
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Originally posted by ahinton View PostWhilst Carter could obviously play the piano he was not what one would call a pianist per se (although I believe that he did give one recital aged around 17); you'd never know this from the idiomatic writing, though, which seems to display such understanding of what works well on the istrument that it has been a constant source of surprise to me that most pianists don't have it in their repertoires!
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