Butterworth, Arthur (1923-2014)

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  • grewtw
    Full Member
    • Nov 2021
    • 29

    Butterworth, Arthur (1923-2014)

    Arthur Eckersley Butterworth was born in Manchester in 1923. His music teacher at North Manchester Grammar School, Percy Penrose, gave him much encouragement but his parents and headmaster tried to dissuade him from a full-time musical career.

    At the Royal Manchester College of Music (now the Royal Northern College of Music), Butterworth studied composition with Richard Hall. Also he studied composition with Ralph Williams after writing to the composer in 1950, requesting lessons.

    He served as a trumpeter in the Scottish National Orchestra (now the Royal Scottish National Orchestra) from 1949 to 1955 and in the Hallé from 1955 to 1962; he also played as a freelance until 1963. In that year he began to teach at the Huddersfield School of Music, an activity which he combined with composing and conducting (he was for many years principal conductor of the Huddersfield Philharmonic Orchestra). He was made an MBE in 1995.

    His mature and characteristic compositions are conservative in idiom, influenced primarily by Elgar and other English symphonists of a generation before his own.

    Here is a list of the most important of his productions:

    Symphonies:

    Symphony no. 1, opus 15, 1957
    Arthur Butterworth, Symphony No.1 (1957)Munich Symphony Orchestra, Douglas Bostock (cond.)


    Symphony no. 2, opus 25, 1965


    Symphony no. 3 "Sinfonia Borealis", opus 52, 1979


    Symphony no. 4, opus 72, 1986
    Arthur Butterworth (1923-2014) (GB)Symphony No. 4 (1986)Dir : Bryden ThomsonBBC Philharmonic Orchestra1- Moderato quasi allegro (11.21)2- Allegretto co


    Symphony No. 5, opus 115, 2002
    Arthur Butterworth ~ Symphony No.5 (2002)Royal Scottish National Orchestra, Arthur Butterworth (conductor)Image: screenshot from Firewatch


    Symphony No. 6, opus 124


    Symphony No. 7, opus 140, 2011


    Concertos:

    Organ Concerto, opus 33, 1973
    Arthur Butterworth (1923-2014) (GB)Organ Concerto (1973)Organist : Gillian WeirDir : Christopher Fry1- Incantation (Quasi una fantasia) (8.29)2- Vigil (Noctu...


    Violin Concerto, opus 58, 1978


    Bassoon Concerto "Summer Music", opus 77, 1986

    Viola Concerto, opus 82, 1993


    Cello Concerto, opus 98, 1997

    Chamber music:

    Piano Quintet, opus 95, 1995

    String Quartet, opus 100, 1997
    Last edited by Andrew Slater; 26-09-23, 12:43. Reason: Dates added to title
  • ahinton
    Full Member
    • Nov 2010
    • 16123

    #2
    Ralph Williams? Ralph Vaughan Williams, methinks. "Ralph Williams" might be thought to represent someone else.

    Comment

    • french frank
      Administrator/Moderator
      • Feb 2007
      • 30812

      #3
      AB has been discussed more than once here, including this thread on the occasion of the premiere of his Symphony No 7.
      It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

      Comment

      • Serial_Apologist
        Full Member
        • Dec 2010
        • 38187

        #4
        Originally posted by ahinton View Post
        Ralph Williams? Ralph Vaughan Williams, methinks. "Ralph Williams" might be thought to represent someone else.
        Also, I don't hear anything of Elgar in his music whatever. One side of Vaughan Williams, of the Sinfonia Antarctica, yes, also the Sibelius of Tapiola and of the "wilder" more austere windswept, equally Northern landscapes-inspired Bax of the latter's fifth symphony.

        Comment

        • cloughie
          Full Member
          • Dec 2011
          • 22270

          #5
          Originally posted by ahinton View Post
          Ralph Williams? Ralph Vaughan Williams, methinks. "Ralph Williams" might be thought to represent someone else.
          Yes R V Dubya! Pronounced Rafe!

          Comment

          • Andrew Slater
            Full Member
            • Mar 2007
            • 1810

            #6
            There's an excellent 'Introduction to the Music of', entitled 'Moorland Symphonies' by Paul Conway, issued by Wyastone Estate / Lyrita here, which I'm currently reading. It's even got an SRCD number! (Subscribers to the free Wyastone Estate newsletter (top left of the Wyastone web page) can obtain a discount, I think, once they've received acknowledgement of their subscription.)

            Comment

            • french frank
              Administrator/Moderator
              • Feb 2007
              • 30812

              #7
              Originally posted by Andrew Slater View Post
              There's an excellent 'Introduction to the Music of', entitled 'Moorland Symphonies' by Paul Conway, issued by Wyastone Estate / Lyrita here, which I'm currently reading. It's even got an SRCD number! (Subscribers to the free Wyastone Estate newsletter (top left of the Wyastone web page) can obtain a discount, I think, once they've received acknowledgement of their subscription.)
              Slightly tinged with sadness that he should only now get this recognition. I was in touch with AB some years back and he had become resigned to being considered now too passé for recognition during his life time. But perhaps he hoped that by the time his centenary came around opinions might have changed.
              It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

              Comment

              • Serial_Apologist
                Full Member
                • Dec 2010
                • 38187

                #8
                His music may have been passé to some, but it could not have been composed in any other century.

                Comment

                • smittims
                  Full Member
                  • Aug 2022
                  • 4754

                  #9
                  I have some CDs of his music. I think he's a good composer, no trail-blazing genius (few are) but an honest general practitioner. If forced to have a league table I'd put him well above George Lloyd but slightly below Arnold Cooke.
                  Last edited by smittims; 26-09-23, 07:42.

                  Comment

                  • french frank
                    Administrator/Moderator
                    • Feb 2007
                    • 30812

                    #10
                    Originally posted by Serial_Apologist View Post
                    His music may have been passé to some ...
                    More precisely, he meant Radio 3.
                    It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

                    Comment

                    • Andrew Slater
                      Full Member
                      • Mar 2007
                      • 1810

                      #11
                      Originally posted by french frank View Post

                      More precisely, he meant Radio 3.
                      Radio 3 occasionally broadcasts some of his short pieces, mostly in the playlist programmes, with the Romanza for Horn and Strings popping up several times a year on TTN. The first symphony, with which he made his name, appeared at the Proms in 1958, with the Hallé conducted by Barbirolli, no less, not long after its première with the same forces at the Cheltenham Festival in 1957. It seems that this is the only Butterworth work which has ever appeared at the Proms.

                      The BBC did support the first 5 symphonies, the BBC Northern / Philharmonic giving the first performances of Nos. 3, 4 and 5, and according to BBC Genome there have been several other performances of at least some of the first 5. The 6th and 7th have been completely ignored by the BBC, and as far as I am aware, the 6th hasn't even been given a performance in this country (1st performance in St Petersburg in 2009, You Tube copy upthread). Surely in this centenary year, that could be remedied?
                      Last edited by Andrew Slater; 26-09-23, 09:48.

                      Comment

                      • Pulcinella
                        Host
                        • Feb 2014
                        • 11384

                        #12
                        Please could someone add his dates to the title (and then delete this message), if anything to avoid the (albeit fairly short-lived in my case) confusion with George Butterworth?

                        Comment

                        • smittims
                          Full Member
                          • Aug 2022
                          • 4754

                          #13
                          There's a delightful letter (in Hugh Cobbe's volume) from Ralph Vaughan Williams to Arthur Butterworth where he mentions the coincidence of names with his old friend from before 1916.

                          Comment

                          • Andrew Slater
                            Full Member
                            • Mar 2007
                            • 1810

                            #14
                            Originally posted by smittims View Post
                            There's a delightful letter (in Hugh Cobbe's volume) from Ralph Vaughan Williams to Arthur Butterworth where he mentions the coincidence of names with his old friend from before 1916.
                            I think it's on line here.

                            There are a couple of shorter letters here (Butterworth had some informal lessons with RVW) and here. The piece referred to in the last letter was probably the Sinfonietta, broadcast on the Home Service after 2pm on 16th July 1953.

                            Comment

                            • edashtav
                              Full Member
                              • Jul 2012
                              • 3680

                              #15
                              Originally posted by smittims View Post
                              I have some CDs of his music. I think he's a good composer, no trail-blazing genius (few are) but an honest general practitioner. If forced to have a league table I'd put him well above George Lloyd but slightly below Arnold Cooke.
                              A helpful comment thank you smittims. I would take issue only with 'good' , preferring 'decent' or 'competent'. In cricketing terms , never a tes-player but a useful County pro.

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