William Wordsworth was born in London in 1908.
Moving from Surrey to the Scottish Highlands in 1961, he helped to form the Scottish Society of Composers.
Sadly, he has now become one of the ever increasing number of Britain's lost and forgotten composers.
Although his music was predominantly diatonic he did not eschew atonal procedures when it suited his purpose, for instance in the opening movement of his Symphony no. 2; and he used tape effectively in his tightly written Symphony no. 7. His use of fragmented themes and of unpredictable rhythmic contrasts, which build to form logical and distinctively original statements, was evident in his other symphonies and large-scale works.
He intended to leave us eight symphonies altogether, most of which could, six years ago, already be heard on you-tube. These have now all been lost:
First symphony, in F Minor, opus 23, (1944)
Second symphony, in D Major, opus 34, (1948)
Third symphony, in C Major, opus 48, (1951)
Fourth symphony, in E Flat Major, opus 54, (1953)
Fifth symphony, in A Minor, opus 68, (1960)
Sixth symphony, "Elegica", with singers, opus 102, (1977)
Seventh symphony, "Cosmos", opus 107, (1980)
Eighth symphony, "Pax hominibus", opus 117, (1985)
As well as the eight lost symphonies there were six string quartets, now similarly lost:
no. 1, op.16, 1941
no. 2, op.20, 1944
no. 3, op.30, 1947
no. 4, op.47, 1950
no. 5, op.63, 1957
no. 6, op.75, 1964
All these grand symphonies and quartets, now lost to us, have been replaced simply by the sad and insulting message:
"Video unavailable
This video is no longer available because the YouTube account associated with this video has been closed."
So much for poor Mr. Wordsworth.
Moving from Surrey to the Scottish Highlands in 1961, he helped to form the Scottish Society of Composers.
Sadly, he has now become one of the ever increasing number of Britain's lost and forgotten composers.
Although his music was predominantly diatonic he did not eschew atonal procedures when it suited his purpose, for instance in the opening movement of his Symphony no. 2; and he used tape effectively in his tightly written Symphony no. 7. His use of fragmented themes and of unpredictable rhythmic contrasts, which build to form logical and distinctively original statements, was evident in his other symphonies and large-scale works.
He intended to leave us eight symphonies altogether, most of which could, six years ago, already be heard on you-tube. These have now all been lost:
First symphony, in F Minor, opus 23, (1944)
Second symphony, in D Major, opus 34, (1948)
Third symphony, in C Major, opus 48, (1951)
Fourth symphony, in E Flat Major, opus 54, (1953)
Fifth symphony, in A Minor, opus 68, (1960)
Sixth symphony, "Elegica", with singers, opus 102, (1977)
Seventh symphony, "Cosmos", opus 107, (1980)
Eighth symphony, "Pax hominibus", opus 117, (1985)
As well as the eight lost symphonies there were six string quartets, now similarly lost:
no. 1, op.16, 1941
no. 2, op.20, 1944
no. 3, op.30, 1947
no. 4, op.47, 1950
no. 5, op.63, 1957
no. 6, op.75, 1964
All these grand symphonies and quartets, now lost to us, have been replaced simply by the sad and insulting message:
"Video unavailable
This video is no longer available because the YouTube account associated with this video has been closed."
So much for poor Mr. Wordsworth.
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