I thought I’d start a Wagner thread on the grounds that he doesn’t seem to have one and to mark the fact that , one year after buying it, I’ve finally finished Ernest Newman’s 4 vol 2,678 page biography . I would love to hear thoughts from anyone else who has read it or dipped into it. It is well worth the effort - a truly superb work.
I don’t think I’ve ever read an artist’s life where the biographer is so critical of his subject . Wagner , under Newman’s gaze , is selfish , venal , profligate , anti Semitic . He is also an artistic force of the highest order : not just as composer but as a profound reshaper of German Opera , drama and musical culture - incontestably the most significant figure of later 19th century German and possibly European culture. Lowlights include gambling away his mother’s pension and then re-winning the losses, his treatment of Minna, stealing Cosima from his devoted musical aide Hans Von Bulow , borrowing endless amounts from friends , not repaying them and then criticising them many years later in print. There is also his anti-Semitism which emerges from Newman’s account as much more profound than that expressed in Jewishness in Music. Newman wrote the final volume drawing the War and describes Wagner’s writings on German race supremacy as showing him almost as a proto- Hitler. The charge list is grave - there are many more I haven’t listed.
On the plus side there is obviously his genius , his almost unswerving single mindedness in pursuit of his artistic aims , the devotion ,indeed love, he inspired from his friends and circle despite his treatment of them . Umm that’s about it...
I suppose the question is how much does this detract from enjoyment of the works? Everyone will have their own answer.
If there are Wagnerphiles left out there perhaps they could recommend a more modern biography? I’ve earmarked Köhler’s Wagner : Last of the Titans already.
I don’t think I’ve ever read an artist’s life where the biographer is so critical of his subject . Wagner , under Newman’s gaze , is selfish , venal , profligate , anti Semitic . He is also an artistic force of the highest order : not just as composer but as a profound reshaper of German Opera , drama and musical culture - incontestably the most significant figure of later 19th century German and possibly European culture. Lowlights include gambling away his mother’s pension and then re-winning the losses, his treatment of Minna, stealing Cosima from his devoted musical aide Hans Von Bulow , borrowing endless amounts from friends , not repaying them and then criticising them many years later in print. There is also his anti-Semitism which emerges from Newman’s account as much more profound than that expressed in Jewishness in Music. Newman wrote the final volume drawing the War and describes Wagner’s writings on German race supremacy as showing him almost as a proto- Hitler. The charge list is grave - there are many more I haven’t listed.
On the plus side there is obviously his genius , his almost unswerving single mindedness in pursuit of his artistic aims , the devotion ,indeed love, he inspired from his friends and circle despite his treatment of them . Umm that’s about it...
I suppose the question is how much does this detract from enjoyment of the works? Everyone will have their own answer.
If there are Wagnerphiles left out there perhaps they could recommend a more modern biography? I’ve earmarked Köhler’s Wagner : Last of the Titans already.
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