Suk, Josef

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  • Sydney Grew
    Banned
    • Mar 2007
    • 754

    Suk, Josef

    Suk, Josef

    Josef Suk was born in the village of Krecovice in 1874.

    After having studied under Dvořák, he went on to follow his own path in a steady, organic development from lyricism, gradually achievng a complex polytonal musical language.

    Worthy of note, as supreme masterpieces of twentieth century music, are:

    - Fantasy in G minor, opus 24, for violin and orchestra (1903)

    - Fantastic Scherzo in G minor for orchestra, opus 25 (1903)

    - Prague, tone poem for orchestra, opus 26 (1904)

    - Symphony no. 2 in C minor, opus 27 (1906)

    - String Quartet no. 2, opus 31 (1911)

    - Zrání [Ripening], Symphonic poem for large orchestra and (only towards the end) chorus, opus 34 (1917)

    - Cycle of five Symphonic Poems from Czech History, for orchestra (1917)

    - Epilogue, Symphonic poem for large orchestra and singers, opus 37 (1929)
  • BBMmk2
    Late Member
    • Nov 2010
    • 20908

    #2
    Strangely enough, I played some Suk a couple of days ago. Prague and A Summer’s Tale(BBCSO/Behlalohvek - Chandos). Should be played more, really.
    Don’t cry for me
    I go where music was born

    J S Bach 1685-1750

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    • Serial_Apologist
      Full Member
      • Dec 2010
      • 37851

      #3
      Suk's 40-minute Symphony No. 1 in E of 1898 is shortly to be broadcast following the Beethoven PC4 on today's Afternoon Concert, which should be a rare treat. I'm not familiar with early Suk, being more so with the Asrael and works subsequent to it, all of which I have a great love for, and I anticipate a lot of Dvorak influence, but could be jumping the gun here.

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      • teamsaint
        Full Member
        • Nov 2010
        • 25231

        #4
        Originally posted by Serial_Apologist View Post
        Suk's 40-minute Symphony No. 1 in E of 1898 is shortly to be broadcast following the Beethoven PC4 on today's Afternoon Concert, which should be a rare treat. I'm not familiar with early Suk, being more so with the Asrael and works subsequent to it, all of which I have a great love for, and I anticipate a lot of Dvorak influence, but could be jumping the gun here.
        I wonder, 18 months on, what you made of the symphony, S-A?

        Currently listening to Spring, fove pieces for piano. I’m also tempted by another piano work, Things Lived and Dreamed, not least for its lovely title.
        Might have a bash at Asrael with a score on Youtube shortly too.
        I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

        I am not a number, I am a free man.

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        • Serial_Apologist
          Full Member
          • Dec 2010
          • 37851

          #5
          Originally posted by teamsaint View Post
          I wonder, 18 months on, what you made of the symphony, S-A?

          Currently listening to Spring, fove pieces for piano. I’m also tempted by another piano work, Things Lived and Dreamed, not least for its lovely title.
          Might have a bash at Asrael with a score on Youtube shortly too.
          Can't remember now whether I even listened to it TS! The later piano works push towards atonality and were admired by Berg I believe: they are magical to me.

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          • teamsaint
            Full Member
            • Nov 2010
            • 25231

            #6
            Originally posted by Serial_Apologist View Post
            Can't remember now whether I even listened to it TS! The later piano works push towards atonality and were admired by Berg I believe: they are magical to me.
            Sounds like a good recommendation all round. I’ll have a listen .
            I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

            I am not a number, I am a free man.

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            • richardfinegold
              Full Member
              • Sep 2012
              • 7747

              #7
              I don’t hear a lot Dvorak in Asreal. I also don’t have a lot of appreciation for it, having tried 3 different recordings. My favorite part is the First Movement and I tend to think the inspiration flags after that. It reminds me of Ilya Muromentz in that it is a large symphonic scaffold with some great music surrounded by a lot of padding

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              • mikealdren
                Full Member
                • Nov 2010
                • 1205

                #8
                Strange that among the list of 'supreme masterpieces of twentieth century music' he didn't mention the String serenade or the 4 pieces for violin and piano, possibly he most played works.

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