Originally posted by AuntDaisy
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Haydn
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Originally posted by Mandryka View PostTo my ears, Haydn's music, although far from unpleasant, has always seemed overcerebral: it fails to enage my emotions.
Haydn afficionados tell me that this is quite in order: Haydn appeals to one's 'sense of form' (whatever that is) and intellect. I have also been told (rather peevishly, on an old BAL) that Haydn 'will never appeal to the intellectually lazy'.
I can't think of a single memorable melody that J.H. ever wrote, though I've heard all his London symphonies, as well as the 'named' symphonies.
Would it be fair to say that Haydn is easier to admire than he is to love?
I fear, even more than Mozart, he is another composer I am fated never to 'get'.
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For people who - like me - quite like that sort of thing, the final item on today's 'Breakfast' was the last movement of Symphony No. 104 in which the celebrated conductor Sir Colin Davis conducted the equally celebrated Royal Concertgebouw Orchestra of Amsterdam - a youthful, joyous performance guaranteed to set me up for the day!
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Only now - well into my 8th decade - am I starting to appreciate just how life-affirming Haydn's music can be. Better late than never, I suppose.
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Guest repliedOriginally posted by Mandryka View PostI can't think of a single memorable melody that J.H. ever wrote, though I've heard all his London symphonies, as well as the 'named' symphonies.
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..and of course he wrote "Two Lovely Black Eyes"
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Originally posted by Mandryka View PostI can't think of a single memorable melody that J.H. ever wrote
Haydn Piano Trio in G Major, III. Finale "Gypsy Rondo"Trio Amedeo Salvato (pianoforte), Carlo Dumont (violino), Luca Signorini (violoncello)#VideoClaraCampes...
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Guest repliedOriginally posted by amateur51 View Post
I seem to recall Noel Annan choosing this on DID many years ago.
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Guest repliedOriginally posted by french frank View PostNo
What about that little ditty in the Emperor string quartet, Op 76/3 (2nd movt)?
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Guest repliedOriginally posted by french frank View PostNo
What about that little ditty in the Emperor string quartet, Op 76/3 (2nd movt)?
http://www.youtube.com/watch?v=e3Zs24NJgfI
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Originally posted by Mandryka View PostWould it be fair to say that Haydn is easier to admire than he is to love?
I can't think of a single memorable melody that J.H. ever wrote
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Originally posted by Mandryka View PostI can't think of a single memorable melody that J.H. ever wrote, though I've heard all his London symphonies, as well as the 'named' symphonies.
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Haydn
To my ears, Haydn's music, although far from unpleasant, has always seemed overcerebral: it fails to enage my emotions.
Haydn afficionados tell me that this is quite in order: Haydn appeals to one's 'sense of form' (whatever that is) and intellect. I have also been told (rather peevishly, on an old BAL) that Haydn 'will never appeal to the intellectually lazy'.
I can't think of a single memorable melody that J.H. ever wrote, though I've heard all his London symphonies, as well as the 'named' symphonies.
Would it be fair to say that Haydn is easier to admire than he is to love?
I fear, even more than Mozart, he is another composer I am fated never to 'get'.Tags: None
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