Originally posted by Mario
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Haydn
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I should of course thank everyone for their contributions.
As Brendel seems to do little wrong to my ears, I may start with his selection.
Thanks again to all. Much appreciated.
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Originally posted by Mandryka View PostI think the recorded complete cycles of keyboard sonatas are
Beghin
Brautigam
Odiaga
Schornsheim
Oort
Olbertz
McCabe
Buchbinder
Dershavina
von Alpenheim
Walid Akl
Carmen Piazzini
Jando
Dütschler
Colombo
Timofeyeva
Bavouzet (complete?)
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I think the recorded complete cycles of keyboard sonatas are
Beghin
Brautigam
Odiaga
Schornsheim
Oort
Olbertz
McCabe
Buchbinder
Dershavina
von Alpenheim
Walid Akl
Carmen Piazzini
Jando
Dütschler
Colombo
Timofeyeva
Bavouzet (complete?)
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All the Brendel Haydn recordings are marvellous, in my view, and it's a selection, which is also good in my book!
But I also love the CD by Denis Kozhuchin, of nos 59, 38,47, and 39.
Then there's a sublime late live version of the F minor variations, by Sviatoslav Richter.
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Originally posted by RichardB View PostYes indeed. Although I do prefer Ronald Brautigam's set (all on the same instrument) because I find him a more imaginative player in this repertoire.
There aren't really peaks and troughs in Haydn's sonatas like there are in Beethoven's, I think. But if I had to name a favourite it might be no.59 in E flat.
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Originally posted by Mario View PostMy lack of knowledge of Haydn’s piano sonatas is shameful, but what little I’ve heard is wonderful.
A quick Wiki search tells me he wrote some fifty of them!
Erm, any pointers? What’s his Appassionata, Waldstein, Hammerklavier equivalent? Sorry Haydn-lovers, what I mean by that is what are considered his finer piano sonatas?
And if I wanted a complete set, any pointers please? Or should I choose individually?
Thanks.
I still love it, and I also love Robert Hill playing the same piece
I'll also mention something else which appealed to me very much for a long time, though it's not a sonata -- Bart van Oort playing the F minor varitations
As far as sets of sonatas are concerned, as far as I'm concerned Deszo Ranki's and Tom Beghin's sets are the ones which, over the years, I've found myself going back to most. Ranki's performances were the ones which really convinced me that this music was interesting.
Oh, I almost forgot, another one I became addicted to was Gilels in Sonata 30
Egorov too
Last edited by Mandryka; 18-06-22, 16:36.
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Originally posted by Joseph K View PostYou could do worse than check out Christine Schornsheim's box of Haydn keyboard sonatas - played on a variety of different instruments.
There aren't really peaks and troughs in Haydn's sonatas like there are in Beethoven's, I think. But if I had to name a favourite it might be no.59 in E flat.
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Originally posted by Mario View PostMy lack of knowledge of Haydn’s piano sonatas is shameful, but what little I’ve heard is wonderful.
A quick Wiki search tells me he wrote some fifty of them!
Erm, any pointers? What’s his Appassionata, Waldstein, Hammerklavier equivalent? Sorry Haydn-lovers, what I mean by that is what are considered his finer piano sonatas?
And if I wanted a complete set, any pointers please? Or should I choose individually?
Thanks.
Leave a comment:
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My lack of knowledge of Haydn’s piano sonatas is shameful, but what little I’ve heard is wonderful.
A quick Wiki search tells me he wrote some fifty of them!
Erm, any pointers? What’s his Appassionata, Waldstein, Hammerklavier equivalent? Sorry Haydn-lovers, what I mean by that is what are considered his finer piano sonatas?
And if I wanted a complete set, any pointers please? Or should I choose individually?
Thanks.
Leave a comment:
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I've just watched on YouTube a performance by Ars Lyrica Houston of Haydn's Symphony No. 85. The orchestra, directed from the keyboard, comprised 24 players (only 4 of whom remained seated throughout). I'm not sure whether the increased clarity with which the contribution of each member could be heard was enough of a bonus to offset the lack of pomp and majesty (sic) that might have characterized a performance by a bigger band. One previous 'viewer' commented on the longueurs of the 2nd movement - Marie Antoinette's favourite - and I'm inclined to agree with him, but overall this performance made for a pretty enjoyable half hour.
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Originally posted by Heldenleben View PostWhat a wonderful tune that is. Enough on its own to put Haydn into the Pantheon. I didn’t realise this till I read it a week ago but Noel Coward parodies the DÜA version his no less wonderful song London Pride.
Haydn has that rarest of all qualities in music - wit . He has plenty of other attributes as well obvs.
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Originally posted by french frank View PostNo
What about that little ditty in the Emperor string quartet, Op 76/3 (2nd movt)?
Haydn has that rarest of all qualities in music - wit . He has plenty of other attributes as well obvs.
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Originally posted by cloughie View PostWell that was almost 10 years ago moving the ‘Clock’ forward it would be a ‘Surprise’ if you could still claim this!
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