Haydn

Collapse
X
 
  • Filter
  • Time
  • Show
Clear All
new posts

  • Mandryka
    replied
    Originally posted by Mario View Post
    I should of course thank everyone for their contributions.

    As Brendel seems to do little wrong to my ears, I may start with his selection.

    Thanks again to all. Much appreciated.
    Good choice. He brings out the fun in the music.

    Leave a comment:


  • Mario
    replied
    I should of course thank everyone for their contributions.

    As Brendel seems to do little wrong to my ears, I may start with his selection.

    Thanks again to all. Much appreciated.

    Leave a comment:


  • ahinton
    replied
    Originally posted by Mandryka View Post
    I think the recorded complete cycles of keyboard sonatas are

    Beghin
    Brautigam
    Odiaga
    Schornsheim
    Oort
    Olbertz
    McCabe
    Buchbinder
    Dershavina
    von Alpenheim
    Walid Akl
    Carmen Piazzini
    Jando
    Dütschler
    Colombo
    Timofeyeva
    Bavouzet (complete?)
    I believe that Hamelin has also recorded most if not all of them for Hyperion.

    Leave a comment:


  • Mandryka
    replied
    I think the recorded complete cycles of keyboard sonatas are

    Beghin
    Brautigam
    Odiaga
    Schornsheim
    Oort
    Olbertz
    McCabe
    Buchbinder
    Dershavina
    von Alpenheim
    Walid Akl
    Carmen Piazzini
    Jando
    Dütschler
    Colombo
    Timofeyeva
    Bavouzet (complete?)

    Leave a comment:


  • silvestrione
    replied
    All the Brendel Haydn recordings are marvellous, in my view, and it's a selection, which is also good in my book!

    But I also love the CD by Denis Kozhuchin, of nos 59, 38,47, and 39.

    Then there's a sublime late live version of the F minor variations, by Sviatoslav Richter.

    Leave a comment:


  • MickyD
    replied
    Originally posted by RichardB View Post
    Yes indeed. Although I do prefer Ronald Brautigam's set (all on the same instrument) because I find him a more imaginative player in this repertoire.

    There aren't really peaks and troughs in Haydn's sonatas like there are in Beethoven's, I think. But if I had to name a favourite it might be no.59 in E flat.
    I agree about Brautigam. I have Schornsheim too, and she is interesting as we can follow the development of Haydn's sonatas on a variety of instruments (including the harpsichord to begin with). But Brautigam really does such an excellent job in his set that I think it must be my top choice. I would say the same for his complete set of Mozart piano works too.

    Leave a comment:


  • Mandryka
    replied
    Originally posted by Mario View Post
    My lack of knowledge of Haydn’s piano sonatas is shameful, but what little I’ve heard is wonderful.

    A quick Wiki search tells me he wrote some fifty of them!

    Erm, any pointers? What’s his Appassionata, Waldstein, Hammerklavier equivalent? Sorry Haydn-lovers, what I mean by that is what are considered his finer piano sonatas?

    And if I wanted a complete set, any pointers please? Or should I choose individually?

    Thanks.
    Years ago, for reasons I can't explain, I because totally addicted to Ivo Pogorelich playing #19, this



    I still love it, and I also love Robert Hill playing the same piece



    I'll also mention something else which appealed to me very much for a long time, though it's not a sonata -- Bart van Oort playing the F minor varitations



    As far as sets of sonatas are concerned, as far as I'm concerned Deszo Ranki's and Tom Beghin's sets are the ones which, over the years, I've found myself going back to most. Ranki's performances were the ones which really convinced me that this music was interesting.

    Oh, I almost forgot, another one I became addicted to was Gilels in Sonata 30



    Egorov too

    Last edited by Mandryka; 18-06-22, 16:36.

    Leave a comment:


  • RichardB
    replied
    Originally posted by Joseph K View Post
    You could do worse than check out Christine Schornsheim's box of Haydn keyboard sonatas - played on a variety of different instruments.
    Yes indeed. Although I do prefer Ronald Brautigam's set (all on the same instrument) because I find him a more imaginative player in this repertoire.

    There aren't really peaks and troughs in Haydn's sonatas like there are in Beethoven's, I think. But if I had to name a favourite it might be no.59 in E flat.

    Leave a comment:


  • Joseph K
    replied
    Originally posted by Mario View Post
    My lack of knowledge of Haydn’s piano sonatas is shameful, but what little I’ve heard is wonderful.

    A quick Wiki search tells me he wrote some fifty of them!

    Erm, any pointers? What’s his Appassionata, Waldstein, Hammerklavier equivalent? Sorry Haydn-lovers, what I mean by that is what are considered his finer piano sonatas?

    And if I wanted a complete set, any pointers please? Or should I choose individually?

    Thanks.
    You could do worse than check out Christine Schornsheim's box of Haydn keyboard sonatas - played on a variety of different instruments.

    Leave a comment:


  • Mario
    replied
    My lack of knowledge of Haydn’s piano sonatas is shameful, but what little I’ve heard is wonderful.

    A quick Wiki search tells me he wrote some fifty of them!

    Erm, any pointers? What’s his Appassionata, Waldstein, Hammerklavier equivalent? Sorry Haydn-lovers, what I mean by that is what are considered his finer piano sonatas?

    And if I wanted a complete set, any pointers please? Or should I choose individually?

    Thanks.

    Leave a comment:


  • LMcD
    replied
    I've just watched on YouTube a performance by Ars Lyrica Houston of Haydn's Symphony No. 85. The orchestra, directed from the keyboard, comprised 24 players (only 4 of whom remained seated throughout). I'm not sure whether the increased clarity with which the contribution of each member could be heard was enough of a bonus to offset the lack of pomp and majesty (sic) that might have characterized a performance by a bigger band. One previous 'viewer' commented on the longueurs of the 2nd movement - Marie Antoinette's favourite - and I'm inclined to agree with him, but overall this performance made for a pretty enjoyable half hour.

    Leave a comment:


  • LMcD
    replied
    Originally posted by Heldenleben View Post
    What a wonderful tune that is. Enough on its own to put Haydn into the Pantheon. I didn’t realise this till I read it a week ago but Noel Coward parodies the DÜA version his no less wonderful song London Pride.
    Haydn has that rarest of all qualities in music - wit . He has plenty of other attributes as well obvs.

    Leave a comment:


  • Ein Heldenleben
    replied
    Originally posted by french frank View Post
    No

    What about that little ditty in the Emperor string quartet, Op 76/3 (2nd movt)?
    What a wonderful tune that is. Enough on its own to put Haydn into the Pantheon. I didn’t realise this till I read it a week ago but Noel Coward parodies the DÜA version his no less wonderful song London Pride.
    Haydn has that rarest of all qualities in music - wit . He has plenty of other attributes as well obvs.

    Leave a comment:


  • cloughie
    replied
    Originally posted by Richard Barrett View Post
    Bear in mind that the Mandryka who started this thread isn't the Mandryka who is a current contributor!
    In which case I was unable to ‘Bear’ the greetings as he has bade his ‘Farewell’. Oh ‘Sturm und Drang’!

    Leave a comment:


  • Richard Barrett
    replied
    Originally posted by cloughie View Post
    Well that was almost 10 years ago moving the ‘Clock’ forward it would be a ‘Surprise’ if you could still claim this!
    Bear in mind that the Mandryka who started this thread isn't the Mandryka who is a current contributor!

    Leave a comment:

Working...
X